LOS ANGELES – A judge says he is considering delaying the trial of the doctor charged in Michael Jackson's death because the physician's attorneys haven't turned over witness statements to prosecutors.
Superior Court Judge Michael Pastor says he is extremely distressed by the lack of information that defense attorneys have given to prosecutors in advance of a trial slated to begin March 24.
Defense attorney J. Michael Flanagan says attorneys are still preparing their case and expect to continue their investigation even after trial starts.
That stunned Pastor, who says he may delay the trial or fine attorneys who aren't complying with rules requiring them to give potential evidence to prosecutors 30 days before trial.
Dr. Conrad Murray has pleaded not guilty to involuntary manslaughter.
Monday, February 28, 2011
Singer Shakira: Latinos in US will have 'justice'
CAMBRIDGE, Mass. – Colombian singer Shakira was honored Saturday by Harvard University for her artistic and humanitarian work. She later said some U.S. states' proposed anti-immigrant legislation goes against her foundation's efforts to provide education to poor people around the world.
The Grammy Award-winning singer, however, said Latino immigrants in the U.S. facing various anti-immigrant bills will have "justice" as public awareness about their plight grows.
"Justice will come. I'm sure," Shakira told The Associated Press after the award ceremony. "Wherever there is ... a kid, who could be the son or the daughter of a Latino immigrant, who cannot attend a school in the United States of America, that kid should be a concern to all of us and our responsibility."
Shakira made the comments in an interview when asked about proposed measures in Arizona and elsewhere targeting illegal immigrants. A bill in Arizona, for example, would bar illegal immigrants from attending public schools, living in public housing or driving. Another bill seeks to deny citizenship to children born in the U.S. if their parents are illegal immigrants.
"I believe we should never think less of the Latino community because it's a productive force in this country," Shakira told the AP.
The singer, born Shakira Isabel Mebarak Ripoll, was awarded the "2011 Artist of the Year" from the Harvard Foundation, the university's center for intercultural arts and science initiatives.
Foundation director S. Allen Counter said Shakira, who has sold more than 50 million albums worldwide, was honored for her "distinguished history of creativity," as well as for her charitable contributions.
Previous winners of the Harvard award include Sharon Stone, Will Smith, Jackie Chan and Herbie Hancock.
Shakira said she was humbled by the award and the student performances at the ceremony. "As I entered the premises today, I had to call my mom and say, 'Hey mom. Guess what? I got into Harvard'," said Shakira, who took a history class in 2008 at UCLA.
After accepting the award, she challenged Harvard students to do more to improve education in developing countries. "Not everyone can study at Harvard University," she said. "But everyone, wherever they live, whatever their background, deserves a chance to make the most of his or her potential" through education.
She said that applied to poor children in Bangladesh or immigrants in the United States. "And as a child of the developing world, it is my duty to use this voice in every way I can to promote the message about the power of education to change lives," she said.
Shakira founded the Barefoot Foundation at the age of 18 to provide education and nutrition to children in impoverished areas of Colombia. She also is a Unicef Goodwill Ambassador.
Howard Buffett, 56, son of billionaire investor Warren Buffett and board member of the Barefoot Foundation, said he and Shakira have plans to work on educational projects in parts of the world ravaged by war and natural disasters.
"I think she brings credibility, particularly because of her background," Buffett said. "She's pretty focused on education."
The Grammy Award-winning singer, however, said Latino immigrants in the U.S. facing various anti-immigrant bills will have "justice" as public awareness about their plight grows.
"Justice will come. I'm sure," Shakira told The Associated Press after the award ceremony. "Wherever there is ... a kid, who could be the son or the daughter of a Latino immigrant, who cannot attend a school in the United States of America, that kid should be a concern to all of us and our responsibility."
Shakira made the comments in an interview when asked about proposed measures in Arizona and elsewhere targeting illegal immigrants. A bill in Arizona, for example, would bar illegal immigrants from attending public schools, living in public housing or driving. Another bill seeks to deny citizenship to children born in the U.S. if their parents are illegal immigrants.
"I believe we should never think less of the Latino community because it's a productive force in this country," Shakira told the AP.
The singer, born Shakira Isabel Mebarak Ripoll, was awarded the "2011 Artist of the Year" from the Harvard Foundation, the university's center for intercultural arts and science initiatives.
Foundation director S. Allen Counter said Shakira, who has sold more than 50 million albums worldwide, was honored for her "distinguished history of creativity," as well as for her charitable contributions.
Previous winners of the Harvard award include Sharon Stone, Will Smith, Jackie Chan and Herbie Hancock.
Shakira said she was humbled by the award and the student performances at the ceremony. "As I entered the premises today, I had to call my mom and say, 'Hey mom. Guess what? I got into Harvard'," said Shakira, who took a history class in 2008 at UCLA.
After accepting the award, she challenged Harvard students to do more to improve education in developing countries. "Not everyone can study at Harvard University," she said. "But everyone, wherever they live, whatever their background, deserves a chance to make the most of his or her potential" through education.
She said that applied to poor children in Bangladesh or immigrants in the United States. "And as a child of the developing world, it is my duty to use this voice in every way I can to promote the message about the power of education to change lives," she said.
Shakira founded the Barefoot Foundation at the age of 18 to provide education and nutrition to children in impoverished areas of Colombia. She also is a Unicef Goodwill Ambassador.
Howard Buffett, 56, son of billionaire investor Warren Buffett and board member of the Barefoot Foundation, said he and Shakira have plans to work on educational projects in parts of the world ravaged by war and natural disasters.
"I think she brings credibility, particularly because of her background," Buffett said. "She's pretty focused on education."
Eminem overtakes Lady Gaga as most-liked on Facebook
NEW YORK (Billboard) – It's official -- Eminem is the most "liked" living artist on Facebook.
The Detroit rapper overtook Lady Gaga this week for the distinction, currently coming in at over 28,883,000 'likes' as opposed to Gaga's 28,872,000.
Eminem, 38, is currently averaging over half a million 'likes' a day, according to Famecount. At this rate, he will soon surpass Michael Jackson as the most 'liked' artist on Facebook, as the King of Pop currently sits at 29.1 million 'likes.'
However, in the broader picture of social influence, Gaga is far ahead of Eminem in terms of Twitter followers, with over 5 million more followers than he; he also goes through long dark periods. And earlier this week, the rapper reached 1 billion plays on YouTube, making him only the third artist to pull off the achievement. However, he still trails both Gaga and Justin Bieber in the category by over 190 million and 340 million plays, respectively.
The Detroit rapper overtook Lady Gaga this week for the distinction, currently coming in at over 28,883,000 'likes' as opposed to Gaga's 28,872,000.
Eminem, 38, is currently averaging over half a million 'likes' a day, according to Famecount. At this rate, he will soon surpass Michael Jackson as the most 'liked' artist on Facebook, as the King of Pop currently sits at 29.1 million 'likes.'
However, in the broader picture of social influence, Gaga is far ahead of Eminem in terms of Twitter followers, with over 5 million more followers than he; he also goes through long dark periods. And earlier this week, the rapper reached 1 billion plays on YouTube, making him only the third artist to pull off the achievement. However, he still trails both Gaga and Justin Bieber in the category by over 190 million and 340 million plays, respectively.
Miley Cyrus to appear on 'SNL' as guest host
NEW YORK – NBC says Miley Cyrus will be making her first appearance as guest host of "Saturday Night Live" this week.
The network said Monday that the multiplatinum-selling singer will be joined by musical guests The Strokes.
A week later on March 12, Zach Galifianakis (ga-lih-fih-NA'-kihs) makes his return visit to "SNL" as guest host with musical guest Jessie J.
Galifianakis stars on the HBO comedy series "Bored to Death." He has just finished filming "The Hangover 2."
"Saturday Night Live" airs Saturdays on NBC at 11:30 p.m. Eastern.
The network said Monday that the multiplatinum-selling singer will be joined by musical guests The Strokes.
A week later on March 12, Zach Galifianakis (ga-lih-fih-NA'-kihs) makes his return visit to "SNL" as guest host with musical guest Jessie J.
Galifianakis stars on the HBO comedy series "Bored to Death." He has just finished filming "The Hangover 2."
"Saturday Night Live" airs Saturdays on NBC at 11:30 p.m. Eastern.
Wednesday, February 23, 2011
Singer Buju Banton found guilty in cocaine case
TAMPA, Fla. – Grammy-winning reggae singer Buju Banton was convicted Tuesday of conspiring to set up a cocaine deal in 2009, a verdict that elicited anguish and disbelief among supporters in a crowded courtroom and from other artists in his native Jamaica.
A federal jury deliberated for 11 hours over two days on the fate of Banton, who won a Grammy last week for best reggae album for his work entitled "Before the Dawn." He was found guilty of three of four charges, and his attorney said he's facing at least 15 years in prison.
The 37-year-old Banton, whose given name is Mark Myrie, remains wildly popular in Jamaica, and the trial — his second over the drug accusations — was packed with supporters that included other well-known reggae artists. The first trial ended in a mistrial last year after the jury deadlocked.
The tall, dreadlocked singer didn't react when a clerk read the verdict on Tuesday. He stood, hugged his attorneys, then turned around and blew kisses to his supporters in the courtroom and told them: "Thank you." A woman yelled out "We love you, Buju!" as U.S. marshals led him away.
"Obviously we are all upset and disappointed and emotional," said Banton's attorney, David Markus of Miami. "The only person who seems to be OK is Buju. He told us he was happy that he fought, knowing he was innocent."
Markus said he plans to appeal the conviction and will file a motion to try to get Banton out of jail on bond in the meantime.
Banton was found guilty of conspiracy to possess with the intent to distribute cocaine, possession of a firearm in furtherance of a drug trafficking offense and using a telephone to facilitate a drug trafficking offense. He was acquitted of attempted possession with the intent to distribute cocaine.
No date has been set for his sentencing.
Assistant U.S. Attorney James Preston argued during trial that Banton portrayed himself as a broker of drug deals in several conversations with a confidential informant. Preston said Banton thought he was getting involved in a "no-risk" deal in which he would introduce a friend to a confidential informant, and then later collect money from drug transactions.
Prosecutors acknowledge that Banton did not put any money into the drug deal, nor did he ever profit from it. Markus said his client is "a big talker" who admitted to trying to impress the confidential informant but wasn't involved in any drug deal.
Much of the case hinged on meetings and phone calls that were video- and audiotaped by the informant, who was working with the Drug Enforcement Administration — and who made $50,000 in commission after the bust.
In one video, Banton could be seen tasting cocaine in a Sarasota warehouse on Dec. 8, 2009 — but he was not present during the actual drug deal on Dec. 10 that led two others to be arrested. Those two men later pleaded guilty.
Banton testified that that the informant badgered him after they met on a trans-Atlantic flight in July 2009 and insisted that they meet to set up a cocaine purchase. He said he was so uninterested in the informant's proposals that after they met twice, Banton didn't return the man's phone calls for months.
In Banton's native Jamaica, radio stations played his songs nonstop Tuesday, especially "Untold Stories" and "Not an Easy Road."
Rapper Tony Rebel, a close friend who recorded with Banton, called it a sad day for young people who looked up to him.
The verdict marks "the saddest day for reggae and dancehall," rapper Michael "Power Man" Davy said, adding he was "sad as a Rastaman and a Jamaican."
Singer Junior Reid called it a conspiracy against reggae artists.
"With Buju gone, a big piece of reggae get chop off," he said.
A federal jury deliberated for 11 hours over two days on the fate of Banton, who won a Grammy last week for best reggae album for his work entitled "Before the Dawn." He was found guilty of three of four charges, and his attorney said he's facing at least 15 years in prison.
The 37-year-old Banton, whose given name is Mark Myrie, remains wildly popular in Jamaica, and the trial — his second over the drug accusations — was packed with supporters that included other well-known reggae artists. The first trial ended in a mistrial last year after the jury deadlocked.
The tall, dreadlocked singer didn't react when a clerk read the verdict on Tuesday. He stood, hugged his attorneys, then turned around and blew kisses to his supporters in the courtroom and told them: "Thank you." A woman yelled out "We love you, Buju!" as U.S. marshals led him away.
"Obviously we are all upset and disappointed and emotional," said Banton's attorney, David Markus of Miami. "The only person who seems to be OK is Buju. He told us he was happy that he fought, knowing he was innocent."
Markus said he plans to appeal the conviction and will file a motion to try to get Banton out of jail on bond in the meantime.
Banton was found guilty of conspiracy to possess with the intent to distribute cocaine, possession of a firearm in furtherance of a drug trafficking offense and using a telephone to facilitate a drug trafficking offense. He was acquitted of attempted possession with the intent to distribute cocaine.
No date has been set for his sentencing.
Assistant U.S. Attorney James Preston argued during trial that Banton portrayed himself as a broker of drug deals in several conversations with a confidential informant. Preston said Banton thought he was getting involved in a "no-risk" deal in which he would introduce a friend to a confidential informant, and then later collect money from drug transactions.
Prosecutors acknowledge that Banton did not put any money into the drug deal, nor did he ever profit from it. Markus said his client is "a big talker" who admitted to trying to impress the confidential informant but wasn't involved in any drug deal.
Much of the case hinged on meetings and phone calls that were video- and audiotaped by the informant, who was working with the Drug Enforcement Administration — and who made $50,000 in commission after the bust.
In one video, Banton could be seen tasting cocaine in a Sarasota warehouse on Dec. 8, 2009 — but he was not present during the actual drug deal on Dec. 10 that led two others to be arrested. Those two men later pleaded guilty.
Banton testified that that the informant badgered him after they met on a trans-Atlantic flight in July 2009 and insisted that they meet to set up a cocaine purchase. He said he was so uninterested in the informant's proposals that after they met twice, Banton didn't return the man's phone calls for months.
In Banton's native Jamaica, radio stations played his songs nonstop Tuesday, especially "Untold Stories" and "Not an Easy Road."
Rapper Tony Rebel, a close friend who recorded with Banton, called it a sad day for young people who looked up to him.
The verdict marks "the saddest day for reggae and dancehall," rapper Michael "Power Man" Davy said, adding he was "sad as a Rastaman and a Jamaican."
Singer Junior Reid called it a conspiracy against reggae artists.
"With Buju gone, a big piece of reggae get chop off," he said.
Judge in LA eases Chris Brown restraining order
LOS ANGELES – Chris Brown doesn't have to stay away from Rihanna anymore after a judge on Tuesday downgraded a restraining order in the singer's felony assault case.
Superior Court Judge Patricia Schnegg's ruling came after an attorney for Rihanna said she didn't object to removing the stay-away provisions of an order issued after Brown pleaded guilty to beating her in February 2009. The old order required Brown to stay 50 yards away from Rihanna, but the restriction was reduced to 10 yards if they were at a music-industry event.
The judge said she never would have considered relaxing the order without Rihanna's consent and until Brown completed domestic violence counseling. Prosecutors did not object to the change.
Schnegg praised Brown, who was in the court Tuesday and left holding a one-page copy of the new order. She noted he continues to make progress on completing the physical labor requirements of his probation and said the R&B singer does not have to attend a June 22 progress report hearing.
The new order remains in effect until August 2014 when Brown's probation is scheduled to end.
He and Rihanna, 23, can now see and speak to each other. But if Brown harasses, threatens, assaults, or tracks his ex-girlfriend's movements, he could be found to be in violation of his probation.
Rihanna, whose real name is Robyn Fenty, can record any threatening conversations with Brown and present them as evidence to authorities.
Her attorney, Donald Etra, said he thought the new order was adequate protection.
Brown, 21, was charged with felony assault for the February 2009 fight in which he repeatedly struck Rihanna in a rented car after they left a pre-Grammy Awards party. Both entertainers missed that year's awards show, although both have had renewed success in their careers since the incident.
Both Brown and Rihanna were nominated for Grammys this year, and she performed during the glitzy awards ceremony. Brown did not attend the show, but performed on Saturday Night Live a day earlier.
Review: Adele's 2nd album is personal and perfect
Adele, "21" (Columbia Records)
"I heard that you're settled down, that you found a girl, and you're married now," Adele sings softly on the closing track, "Someone Like You."
"I heard that your dreams came true, guess she gave you things I didn't give to you," she continues over a simple piano melody.
"Someone Like You" is just one of 11 perfect tunes Adele co-wrote on her sophomore CD, "21," as a heartbroken Adele tries her best to keep a stiff upper lip while lamenting about what once was — and what could have been.
The disc finds the British singer tackling a recent breakup. On most of the tracks, she's trying to convince her former lover that she is "the one" — and she sounds so convincing that listeners will wonder what's wrong with Adele's ex for letting her go.
She sings a loud plea on "Don't You Remember," ending with the question: "When will I see you again?" On "I'll Be Waiting" — highlighted by the saxophone, trumpet and more — Adele is ready to change, "be somebody different" and "better to you." And on "One and Only," she's bold, singing with a beautiful screech: "I dare you to let me be your one and only."
Even if she did something wrong, it's all right in our book, thanks to Adele's killer voice, which is raw and soulful. Throughout "21," she hits all the right notes at the right moments — and then some.
She sounds epic on "Set Fire to the Rain" and "Turning Tables," which also gets a boost because of the delightful sounding strings. And on the drum-filled "Rumour Has It," Adele plays the mean girl, sounding confident, sassy and in control.
"21" is the follow-up to Adele's 2008 debut, "19." That album had gems like "Chasing Pavements," "Melt My Heart to Stone" and "Hometown Glory," helped her win two Grammys and gain worldwide fame. But with "21," Adele, who is now 22, has created more than just an album with good songs: She's crafted a masterpiece. Can't wait for "25."
CHECK THIS TRACK OUT: There are many top-notch collaborators on "21," including Rick Rubin, Paul Epworth and Dan Wilson. But the Ryan Tedder-produced "Rumour Has It" is the disc's most adventurous track, full of lovely hand claps.
"I heard that you're settled down, that you found a girl, and you're married now," Adele sings softly on the closing track, "Someone Like You."
"I heard that your dreams came true, guess she gave you things I didn't give to you," she continues over a simple piano melody.
"Someone Like You" is just one of 11 perfect tunes Adele co-wrote on her sophomore CD, "21," as a heartbroken Adele tries her best to keep a stiff upper lip while lamenting about what once was — and what could have been.
The disc finds the British singer tackling a recent breakup. On most of the tracks, she's trying to convince her former lover that she is "the one" — and she sounds so convincing that listeners will wonder what's wrong with Adele's ex for letting her go.
She sings a loud plea on "Don't You Remember," ending with the question: "When will I see you again?" On "I'll Be Waiting" — highlighted by the saxophone, trumpet and more — Adele is ready to change, "be somebody different" and "better to you." And on "One and Only," she's bold, singing with a beautiful screech: "I dare you to let me be your one and only."
Even if she did something wrong, it's all right in our book, thanks to Adele's killer voice, which is raw and soulful. Throughout "21," she hits all the right notes at the right moments — and then some.
She sounds epic on "Set Fire to the Rain" and "Turning Tables," which also gets a boost because of the delightful sounding strings. And on the drum-filled "Rumour Has It," Adele plays the mean girl, sounding confident, sassy and in control.
"21" is the follow-up to Adele's 2008 debut, "19." That album had gems like "Chasing Pavements," "Melt My Heart to Stone" and "Hometown Glory," helped her win two Grammys and gain worldwide fame. But with "21," Adele, who is now 22, has created more than just an album with good songs: She's crafted a masterpiece. Can't wait for "25."
CHECK THIS TRACK OUT: There are many top-notch collaborators on "21," including Rick Rubin, Paul Epworth and Dan Wilson. But the Ryan Tedder-produced "Rumour Has It" is the disc's most adventurous track, full of lovely hand claps.
`Fan cut' of Bieber documentary to be released
NEW YORK – A "fan cut" of the documentary "Justin Bieber: Never Say Never" will be released Friday.
Paramount announced Monday that director Jon M. Chu has re-edited the Bieber concert film based on fan suggestions. The studio says the new 115-minute cut includes 40 minutes of new footage.
Chu followed Bieber for 10 days on a recent concert tour. He said he had an "embarrassment of riches" in leftover footage and sought out suggestions from Bieber fans on Twitter and Facebook.
"Never Say Never" has earned $51.4 million at the domestic box office since being release Feb. 11. The new edit allows Paramount to further capitalize on the fanatical fan base of the 16-year-old pop star.
The revamped film will play in 3-D theaters for one week.
Paramount announced Monday that director Jon M. Chu has re-edited the Bieber concert film based on fan suggestions. The studio says the new 115-minute cut includes 40 minutes of new footage.
Chu followed Bieber for 10 days on a recent concert tour. He said he had an "embarrassment of riches" in leftover footage and sought out suggestions from Bieber fans on Twitter and Facebook.
"Never Say Never" has earned $51.4 million at the domestic box office since being release Feb. 11. The new edit allows Paramount to further capitalize on the fanatical fan base of the 16-year-old pop star.
The revamped film will play in 3-D theaters for one week.
Monday, February 21, 2011
Lady Gaga breaks iTunes records, says on "drunk diet"
LOS ANGELES (Reuters) – Lady Gaga's "Born This Way" has become the fastest-selling single ever on Apple's iTunes store worldwide, racking up more than one million downloads in five days, Apple said on Friday.
Apple said the song -- a Madonna-influenced dance track that the 24 year-old singer performed after "hatching" from a giant egg at the Grammy Awards -- had hit the No. 1 spot on iTunes in 23 countries.
"Born This Way", the title track of a new album to be released in May, also went straight to the top of the U.S. Billboard Hot 100 singles charts earlier this week.
The flamboyant performance artist also revealed her secret for staying so thin, and how she gets her creative juices flowing.
"I am on the drunk diet," she told Sirius XM radio on Friday.
"I live my life as I want to, creatively. I like to drink whiskey and stuff while I am working. But the deal is I've got to work out every day, and I work out hung over if I am hung over. And it's about the cross-training and keeping yourself inspired. I have to say, I do a ton of yoga," she added.
The singer said in a television interview last weekend that she also smoked marijuana while writing her songs.
After headline-grabbing outfits, live performance stunts and a best-selling tour, Lady Gaga may be turning her thoughts to a possible new career -- in movies.
Asked if she saw herself becoming an actress, she told Sirius XM ; "I think at some point, yes. I think I'm sort of destined for that screen at some point."
But if there was a movie of her life, Lady Gaga said she would like to be played by Marisa Tomei -- the Oscar-winning actress from "My Cousin Vinny".
"I am such a Marisa Tomei fan. All my friends call me Marisa when I get angry. Because my New York accent just flies out of my body and I start smacking my gum," she said.
Apple said the song -- a Madonna-influenced dance track that the 24 year-old singer performed after "hatching" from a giant egg at the Grammy Awards -- had hit the No. 1 spot on iTunes in 23 countries.
"Born This Way", the title track of a new album to be released in May, also went straight to the top of the U.S. Billboard Hot 100 singles charts earlier this week.
The flamboyant performance artist also revealed her secret for staying so thin, and how she gets her creative juices flowing.
"I am on the drunk diet," she told Sirius XM radio on Friday.
"I live my life as I want to, creatively. I like to drink whiskey and stuff while I am working. But the deal is I've got to work out every day, and I work out hung over if I am hung over. And it's about the cross-training and keeping yourself inspired. I have to say, I do a ton of yoga," she added.
The singer said in a television interview last weekend that she also smoked marijuana while writing her songs.
After headline-grabbing outfits, live performance stunts and a best-selling tour, Lady Gaga may be turning her thoughts to a possible new career -- in movies.
Asked if she saw herself becoming an actress, she told Sirius XM ; "I think at some point, yes. I think I'm sort of destined for that screen at some point."
But if there was a movie of her life, Lady Gaga said she would like to be played by Marisa Tomei -- the Oscar-winning actress from "My Cousin Vinny".
"I am such a Marisa Tomei fan. All my friends call me Marisa when I get angry. Because my New York accent just flies out of my body and I start smacking my gum," she said.
LOS ANGELES – With a celebrity-studded crowd looking on, Rihanna rocked the halftime show at the NBA All-Star game on her 23rd birthday.
She had other big names helping her sing her hits Sunday, with Drake joining in on "What's My Name?" and working "happy birthday" into the lyrics. Dripping in gold chains, a red-clad Kanye West came out for "All of the Lights," which is off his latest album but features Rihanna.
At halftime, the lights inside Staples Center went out and the video screens filled with water droplets, setting the stage for Rihanna to emerge from behind a wall singing "Umbrella."
The red-haired singer soon shed her short black suit jacket and white scarf to reveal a short black skirt and a rhinestone halter. She shimmied her way through "Only Girl (In the World)" and didn't flinch when her huge hoop earring fell off her left ear in mid-song.
While it was a working day for Rihanna, her fellow music stars relaxed in their seats while watching the 60th annual All-Star game. The West team, led by Kobe Bryant's 37 points, defeated the East 148-143.
Beyonce and hubby Jay-Z sat courtside, with Justin Bieber (MVP of Friday's All-Star celebrity game) two seats away. Sean "Diddy" Combs, Stevie Wonder (wearing headphones), Grammy winner Bruno Mars, Keri Hilson, Ne-Yo, Gene Simmons, and "American Idol" judge Steven Tyler were scattered around the arena. Rapper Nicki Minaj snacked on pink cotton candy.
Later, Rihanna sat courtside next to 16-year-old Bieber, making for a striking contrast between her flaming long hair and his famous shaggy 'do.
Benny, the Chicago Bulls mascot, jumped into the seat next to singer John Legend and his girlfriend-model Chrissy Teigen to joke around.
Canadian singer Melanie Fiona sang her country's national anthem, and Los Angeles native Josh Groban did the U.S. anthem. With plenty of fog swirling, Lenny Kravitz played during the pregame introductions.
Among the movie and TV stars in attendance were Dustin Hoffman, Spike Lee, Warren Beatty, Rick Fox and girlfriend-actress Eliza Dushku, and Nick Cannon (without wife Mariah Carey). CNN talk show host Piers Morgan furiously worked his cell phone during most of the action.
Snoop Dogg, Terrell Owens, Chris Tucker, tennis star Venus Williams, and actors Forest Whitaker, Noah Wyle and Ellen Pompeo took in the show, too. Los Angeles Lakers fan Jack Nicholson was bumped out of his usual courtside seat.
Actress Gabrielle Union walked the magenta carpet outside the arena before the game, dishing on her boyfriend, Miami Heat guard Dwyane Wade.
"His closet is way bigger than mine. He's way, way, way into clothes that his closet is like five times the size of mine," Union said.
Wade loves different scents, too.
"He is a little bit obsessed with the smell of cocoa butter. He loves it for himself," she said. "He's got, I think, over 30 different colognes."
If the fashion police had been on patrol, they might have cited former NBA great Darryl Dawkins.
Standing 6-foot-11, the man nicknamed "Chocolate Thunder" for his ferocious dunking ability made an even louder statement by wearing a lime-colored pinstriped suit.
As soon as Orlando Magic forward Dwight Howard spotted Dawkins, he couldn't help but offer a critique.
"He looks like a big lizard. Aw-w-w, man," Howard said. "I thought last night's suit was terrible, but then he came out today looking like a highlighter? That's probably one of the worst suits I've ever seen in my life."
While Howard and many of the other arriving NBA players dressed up in suits and ties, Lakers star Bryant dressed down in jeans and a black leather jacket.
She had other big names helping her sing her hits Sunday, with Drake joining in on "What's My Name?" and working "happy birthday" into the lyrics. Dripping in gold chains, a red-clad Kanye West came out for "All of the Lights," which is off his latest album but features Rihanna.
At halftime, the lights inside Staples Center went out and the video screens filled with water droplets, setting the stage for Rihanna to emerge from behind a wall singing "Umbrella."
The red-haired singer soon shed her short black suit jacket and white scarf to reveal a short black skirt and a rhinestone halter. She shimmied her way through "Only Girl (In the World)" and didn't flinch when her huge hoop earring fell off her left ear in mid-song.
While it was a working day for Rihanna, her fellow music stars relaxed in their seats while watching the 60th annual All-Star game. The West team, led by Kobe Bryant's 37 points, defeated the East 148-143.
Beyonce and hubby Jay-Z sat courtside, with Justin Bieber (MVP of Friday's All-Star celebrity game) two seats away. Sean "Diddy" Combs, Stevie Wonder (wearing headphones), Grammy winner Bruno Mars, Keri Hilson, Ne-Yo, Gene Simmons, and "American Idol" judge Steven Tyler were scattered around the arena. Rapper Nicki Minaj snacked on pink cotton candy.
Later, Rihanna sat courtside next to 16-year-old Bieber, making for a striking contrast between her flaming long hair and his famous shaggy 'do.
Benny, the Chicago Bulls mascot, jumped into the seat next to singer John Legend and his girlfriend-model Chrissy Teigen to joke around.
Canadian singer Melanie Fiona sang her country's national anthem, and Los Angeles native Josh Groban did the U.S. anthem. With plenty of fog swirling, Lenny Kravitz played during the pregame introductions.
Among the movie and TV stars in attendance were Dustin Hoffman, Spike Lee, Warren Beatty, Rick Fox and girlfriend-actress Eliza Dushku, and Nick Cannon (without wife Mariah Carey). CNN talk show host Piers Morgan furiously worked his cell phone during most of the action.
Snoop Dogg, Terrell Owens, Chris Tucker, tennis star Venus Williams, and actors Forest Whitaker, Noah Wyle and Ellen Pompeo took in the show, too. Los Angeles Lakers fan Jack Nicholson was bumped out of his usual courtside seat.
Actress Gabrielle Union walked the magenta carpet outside the arena before the game, dishing on her boyfriend, Miami Heat guard Dwyane Wade.
"His closet is way bigger than mine. He's way, way, way into clothes that his closet is like five times the size of mine," Union said.
Wade loves different scents, too.
"He is a little bit obsessed with the smell of cocoa butter. He loves it for himself," she said. "He's got, I think, over 30 different colognes."
If the fashion police had been on patrol, they might have cited former NBA great Darryl Dawkins.
Standing 6-foot-11, the man nicknamed "Chocolate Thunder" for his ferocious dunking ability made an even louder statement by wearing a lime-colored pinstriped suit.
As soon as Orlando Magic forward Dwight Howard spotted Dawkins, he couldn't help but offer a critique.
"He looks like a big lizard. Aw-w-w, man," Howard said. "I thought last night's suit was terrible, but then he came out today looking like a highlighter? That's probably one of the worst suits I've ever seen in my life."
While Howard and many of the other arriving NBA players dressed up in suits and ties, Lakers star Bryant dressed down in jeans and a black leather jacket.
Cheers for Gruberova as "Anna" at age 64
BARCELONA, Spain – The performance of Donizetti's "Anna Bolena" was chugging along fitfully, the leading lady definitely showing her age. Then the opera's final scene began, and Edita Gruberova worked her magic.
As Anna prepared to meet the executioner's ax at the Gran Teatre del Liceu on Friday night, the 64-year-old Slovakian soprano transformed herself from the slightly frumpy grandmother who had sung with sometimes faltering tone into an ageless diva still capable of a remarkable vocal display.
"Ah dolce guidami castel natio" ("Ah, lead me to the dear castle where I was born"), she sang to a mournful, gently descending melody, her mind wandering as she imagined happier days. It's the beginning of one of Donizetti's greatest creations — a 20-minute, three-part aria that captures the shifting moods of his doomed heroine.
Full of trills and delicately filigreed runs, this first section demands pinpoint accuracy, purity of sound and an ability to sustain long lines on a single breath. Gruberova, seated near the bottom of a huge staircase, was astonishing. At one point, as if sinking into despair, she slowly lowered her upper body until her head rested on a higher stair, singing all the while in hushed tones of ethereal beauty.
The second section, a variation on the melody of "Home, Sweet Home," was nearly as fine. And if she struggled with the more frenzied dramatic leaps and high notes of the finale, "Coppia iniqua" ("Wicked couple"), it scarcely mattered to her adoring fans, who erupted in cheers as the curtain fell.
"Edita, La Regina," read the banner unfurled from the balcony.
Gruberova, a favorite at the Barcelona Opera since her debut here in the late 1970s, was brought back repeatedly for curtain calls lasting more than 20 minutes. This was her final performance in the current run.
The rest of the cast was variable. Mezzo-soprano Elina Garanca sang the role of Giovanna Seymour, Anna's supposed confidant but really her rival for Henry VIII's affection. Garanca's voice commands admiration for its power, evenness and flexibility, but she made little dramatic impact — even in the great Act 2 duet where she confesses to Anna and wins her forgiveness
As Henry, bass Simon Orfila sang with well-focused menace and cut a dashing figure. Mezzo-soprano Sonia Prina coped well with the music of the hapless page, Smeton. Josep Bros as Anna's former lover, Percy, was the weak link, coming to grief on several high notes and drawing a few vociferous boos from the balcony.
Conductor Andriy Yurkevych chose ponderous tempos that made the opera, presented virtually uncut, seem longer than it is.
Gruberova may miss her fans here, but it's unlikely she'll miss the pretentious yet dreary production by Rafel Duran. The sets, by Rafel Llado, featured sliding panels on either side of the staircase that opened to reveal video monitors — suggesting Henry was far ahead of his time in surveillance techniques. For unknown reasons, costumer designer Lluc Castells had several guards wearing birds' beaks over their faces, with which they seemed to peck time to the music.
To put Gruberova's longevity in perspective, she is already a year older than the late Joan Sutherland was when she retired. True, she's a youngster compared to Placido Domingo, still going strong at age 70. But he has put aside his more strenuous, high-lying tenor roles and even taken on some baritone parts.
Gruberova, in contrast, is sticking with demanding repertory like "Anna" and Bellini's "Norma." And she apparently has no immediate thoughts of retirement: Her unofficial fan page lists engagements into 2013.
As Anna prepared to meet the executioner's ax at the Gran Teatre del Liceu on Friday night, the 64-year-old Slovakian soprano transformed herself from the slightly frumpy grandmother who had sung with sometimes faltering tone into an ageless diva still capable of a remarkable vocal display.
"Ah dolce guidami castel natio" ("Ah, lead me to the dear castle where I was born"), she sang to a mournful, gently descending melody, her mind wandering as she imagined happier days. It's the beginning of one of Donizetti's greatest creations — a 20-minute, three-part aria that captures the shifting moods of his doomed heroine.
Full of trills and delicately filigreed runs, this first section demands pinpoint accuracy, purity of sound and an ability to sustain long lines on a single breath. Gruberova, seated near the bottom of a huge staircase, was astonishing. At one point, as if sinking into despair, she slowly lowered her upper body until her head rested on a higher stair, singing all the while in hushed tones of ethereal beauty.
The second section, a variation on the melody of "Home, Sweet Home," was nearly as fine. And if she struggled with the more frenzied dramatic leaps and high notes of the finale, "Coppia iniqua" ("Wicked couple"), it scarcely mattered to her adoring fans, who erupted in cheers as the curtain fell.
"Edita, La Regina," read the banner unfurled from the balcony.
Gruberova, a favorite at the Barcelona Opera since her debut here in the late 1970s, was brought back repeatedly for curtain calls lasting more than 20 minutes. This was her final performance in the current run.
The rest of the cast was variable. Mezzo-soprano Elina Garanca sang the role of Giovanna Seymour, Anna's supposed confidant but really her rival for Henry VIII's affection. Garanca's voice commands admiration for its power, evenness and flexibility, but she made little dramatic impact — even in the great Act 2 duet where she confesses to Anna and wins her forgiveness
As Henry, bass Simon Orfila sang with well-focused menace and cut a dashing figure. Mezzo-soprano Sonia Prina coped well with the music of the hapless page, Smeton. Josep Bros as Anna's former lover, Percy, was the weak link, coming to grief on several high notes and drawing a few vociferous boos from the balcony.
Conductor Andriy Yurkevych chose ponderous tempos that made the opera, presented virtually uncut, seem longer than it is.
Gruberova may miss her fans here, but it's unlikely she'll miss the pretentious yet dreary production by Rafel Duran. The sets, by Rafel Llado, featured sliding panels on either side of the staircase that opened to reveal video monitors — suggesting Henry was far ahead of his time in surveillance techniques. For unknown reasons, costumer designer Lluc Castells had several guards wearing birds' beaks over their faces, with which they seemed to peck time to the music.
To put Gruberova's longevity in perspective, she is already a year older than the late Joan Sutherland was when she retired. True, she's a youngster compared to Placido Domingo, still going strong at age 70. But he has put aside his more strenuous, high-lying tenor roles and even taken on some baritone parts.
Gruberova, in contrast, is sticking with demanding repertory like "Anna" and Bellini's "Norma." And she apparently has no immediate thoughts of retirement: Her unofficial fan page lists engagements into 2013.
Music exec slams Grammys in full-page NY Times ad
NEW YORK (Billboard) – A veteran music executive has lambasted the Grammy Awards as "a series of hypocrisies and contradictions," in a full-page New York Times advertisement that ran a week after last Sunday's annual ceremony.
Steve Stoute's open letter to Grammy organizers ripped the organization and its 12,000-odd voters for snubbing Eminem and Justin Bieber at this year's ceremony, as well as Eminem and Kanye West at past events.
"Over the course of my 20-year history as an executive in the music business and as the owner of a firm that specializes in in-culture advertising, I have come to the conclusion that the Grammy Awards have clearly lost touch with contemporary popular culture," wrote Stoute, who is currently CEO of the marketing company Translation.
"Unfortunately, the awards show has become a series of hypocrisies and contradictions, leaving me to question why any contemporary popular artist would even participate."
Eminem, this year's leading contender, lost in most of the major categories for which he was nominated. Two-time nominee Bieber went home empty-handed and disappointed. Both West and Eminem have lost the coveted album of the year race multiple times.
"We must acknowledge the massive cultural impact of Eminem and Kanye West and how their music is shaping, influencing and defining the voice of a generation," Stoute wrote.
As for Bieber, he wrote, "How is it that Justin Bieber, an artist that defines what it means to be a modern artist, did not win Best New Artist?" (That award went to singer/bassist Esperanza Spalding.)
Stoute noted a connection between performers and winners, citing Arcade Fire's surprise album of the year win just after they had finished their performance.
"Does the Grammys intentionally use artists for their celebrity, popularity and cultural appeal when they already know the winners and then program a show against this expectation?"
There was no immediate reaction from the Recording Academy. Last Sunday's show, despite or because of the shocks, was the highest rated in a decade.
Steve Stoute's open letter to Grammy organizers ripped the organization and its 12,000-odd voters for snubbing Eminem and Justin Bieber at this year's ceremony, as well as Eminem and Kanye West at past events.
"Over the course of my 20-year history as an executive in the music business and as the owner of a firm that specializes in in-culture advertising, I have come to the conclusion that the Grammy Awards have clearly lost touch with contemporary popular culture," wrote Stoute, who is currently CEO of the marketing company Translation.
"Unfortunately, the awards show has become a series of hypocrisies and contradictions, leaving me to question why any contemporary popular artist would even participate."
Eminem, this year's leading contender, lost in most of the major categories for which he was nominated. Two-time nominee Bieber went home empty-handed and disappointed. Both West and Eminem have lost the coveted album of the year race multiple times.
"We must acknowledge the massive cultural impact of Eminem and Kanye West and how their music is shaping, influencing and defining the voice of a generation," Stoute wrote.
As for Bieber, he wrote, "How is it that Justin Bieber, an artist that defines what it means to be a modern artist, did not win Best New Artist?" (That award went to singer/bassist Esperanza Spalding.)
Stoute noted a connection between performers and winners, citing Arcade Fire's surprise album of the year win just after they had finished their performance.
"Does the Grammys intentionally use artists for their celebrity, popularity and cultural appeal when they already know the winners and then program a show against this expectation?"
There was no immediate reaction from the Recording Academy. Last Sunday's show, despite or because of the shocks, was the highest rated in a decade.
Sunday, February 20, 2011
Rapper Rhymefest could be on Chicago City Council
CHICAGO – The award-winning rapper who wants to be a Chicago alderman looked down the block and counted up the boarded houses in this slice of the city's South Side. One. Two. Three. Four. Five. Six. Seven. Eight.
"How can you walk here and not feel something in your heart? We're living in an urban ghost town," Che "Rhymefest" Smith told The Associated Press during a van tour of the ward where he lives. "I see two things. The first is neglect. The second is opportunity."
In a landmark year for Chicago politics, the winner of a 2004 Grammy is running an unorthodox campaign for City Council. His street-wise lyrics have given him a youthful following, in Chicago and beyond, but it's more than his fame that gives him a shot at winning. In a field of five candidates, he's picked up support from the powerful Chicago Teachers Union and several political experts say a victory Tuesday or making an April runoff vote are quite possible.
The presence in a council seat of Rhymefest — a broad battle rapper who once went toe-to-toe with, and many say easily defeated, Eminem — would certainly shake things up in a body seen in recent years as a compliant rubber stamp for retiring Mayor Richard Daley.
"He's a homegrown advocate with a heart for his people," said Stacy Davis-Gates, a spokeswoman for the teachers' union "He's a hip hop artist, his initial expression is to champion the oppressed and inspire transformation."
But he's far from alone in his vision of bringing change and opportunity to Chicago politics. A record number of people — nearly 250 — are seeking council positions and major changeover is expected. Experts predict up to 20 new aldermen on the 50-seat council and a likely power shift. That means mayoral candidates like former White House chief of staff Rahm Emanuel would face an unpredictable and likely more independent City Council.
Rhymefest paints himself as an alternative to business as usual for the 20th Ward, which includes some of the poorest and highest-crime areas of Chicago. First-term Alderman Willie Cochran, who faces a groundswell of opposition, was elected to succeed former Alderman Arenda Troutman. She was sentenced to prison in 2009 after pleading guilty to taking payoffs and campaign contributions from developers in return for zoning changes.
The 33-year-old rapper — named Che after the 1950s Cuban revolutionary Che Guevara — has pledged to give up a portion of his aldermanic salary for loans to bring business to the area and says he'll only serve two four-year terms. His campaign headquarters are inside a dingy car wash surrounded by vacant lots, and some of his fundraisers have been held at nightclubs where he performs.
Rhymefest has received praise from Princeton University scholar Cornel West and rapper Kanye West, with whom he shared a Grammy for co-writing "Jesus Walks."
Though born in Missouri, his family has lived in Chicago since the 1960s. He attended city schools and Columbia College downtown. His wife is a teacher for Chicago Public Schools. He gets respect in mainstream rap circles, but has also taken time to attend nonpolitical events with local grass-roots hip hop artists. And though he rarely discusses it publicly, his faith has been a central part of his life; the rapper became Muslim after years of study.
But he's also got a criminal past, something that's caused him some trouble on the campaign trail. Rhymefest was convicted in 2001 for domestic violence involving his first wife and in 2005 for firing a gun following during a dispute with a real estate agent in Indiana. Those incidents came up at a recent candidate forum including former police officer Cochran, lawyer and businessman George Davis and a pastor, the Rev. Andre Smith.
"Our children are dying on the street and anybody can make a platform to make themselves look good. No disrespect, but rapping, beating women and shooting at realtors . . . " Smith said before the crowd booed him into stopping.
Rhymefest, who sat in silence and rested his face on his hand, appeared angry.
The rapper says he's learned from his past, insists he's changed and that others can benefit from his perspective. He's says he's happily remarried and has two kids, including primary custody of a son from his first marriage.
"We're telling people because you made a mistake when you were younger you can never take a position of leadership? You can never grow out of it?" he said. "Then what we're telling the 20th ward is, lay down and die, you're done. We have attorneys on the City Council and that doesn't mean we were able to avoid a city deficit. We have officers who are aldermen, that doesn't mean our communities are kept safe."
The other candidates in the race have said Rhymefest does bring good ideas.
Davis, a community activist who was endorsed by both the Chicago Sun-Times and Chicago Tribune, agrees he and Rhymefest have similarities. Both of them have made public safety, housing and attracting business among their top issues for the ward, which includes Washington Park, Daley's proposed site for an Olympic stadium in the city's failed bid for the 2016 Games.
But Davis says that Rhymefest and other candidates don't have the experience to manage the city's roughly $6 billion budget.
"There's a lack of any vision or lack of foresight or any forward thinking to solve the challenges we have," Davis said. "We need someone in the 20th ward that has the ability to be a thoughtful leader."
Cochran has seen a groundswell of opposition and the police union didn't make an endorsement in the 20th, though it generally backs police officers. He defended himself at a recent candidate forum, saying he cares about the ward, but navigating the system isn't so easy.
Even those who don't support Rhymefest, like 73-year-old Gloria Searcey, say he understands issues in the ward like a lack of hospitals and business development. The retired furniture store worker has lived in the area since the 1940s and has seen it fade from a vibrant community with a busy shopping corridor to one of the most neglected areas in Chicago.
But even if Rhymefest loses, his ward and Chicago will likely stay a source of inspiration for his music. While driving around the area, Rhymefest discussed his frustration with poverty and how he felt those at City Hall had given up on his neighborhood.
He then broke into an impromptu rap, bobbing his head from side to side and chopping the air with his hands.
"Givin' up on the hood, I'm not down with it," he rapped. "We all in a pool of debt and just drowned in it."
"How can you walk here and not feel something in your heart? We're living in an urban ghost town," Che "Rhymefest" Smith told The Associated Press during a van tour of the ward where he lives. "I see two things. The first is neglect. The second is opportunity."
In a landmark year for Chicago politics, the winner of a 2004 Grammy is running an unorthodox campaign for City Council. His street-wise lyrics have given him a youthful following, in Chicago and beyond, but it's more than his fame that gives him a shot at winning. In a field of five candidates, he's picked up support from the powerful Chicago Teachers Union and several political experts say a victory Tuesday or making an April runoff vote are quite possible.
The presence in a council seat of Rhymefest — a broad battle rapper who once went toe-to-toe with, and many say easily defeated, Eminem — would certainly shake things up in a body seen in recent years as a compliant rubber stamp for retiring Mayor Richard Daley.
"He's a homegrown advocate with a heart for his people," said Stacy Davis-Gates, a spokeswoman for the teachers' union "He's a hip hop artist, his initial expression is to champion the oppressed and inspire transformation."
But he's far from alone in his vision of bringing change and opportunity to Chicago politics. A record number of people — nearly 250 — are seeking council positions and major changeover is expected. Experts predict up to 20 new aldermen on the 50-seat council and a likely power shift. That means mayoral candidates like former White House chief of staff Rahm Emanuel would face an unpredictable and likely more independent City Council.
Rhymefest paints himself as an alternative to business as usual for the 20th Ward, which includes some of the poorest and highest-crime areas of Chicago. First-term Alderman Willie Cochran, who faces a groundswell of opposition, was elected to succeed former Alderman Arenda Troutman. She was sentenced to prison in 2009 after pleading guilty to taking payoffs and campaign contributions from developers in return for zoning changes.
The 33-year-old rapper — named Che after the 1950s Cuban revolutionary Che Guevara — has pledged to give up a portion of his aldermanic salary for loans to bring business to the area and says he'll only serve two four-year terms. His campaign headquarters are inside a dingy car wash surrounded by vacant lots, and some of his fundraisers have been held at nightclubs where he performs.
Rhymefest has received praise from Princeton University scholar Cornel West and rapper Kanye West, with whom he shared a Grammy for co-writing "Jesus Walks."
Though born in Missouri, his family has lived in Chicago since the 1960s. He attended city schools and Columbia College downtown. His wife is a teacher for Chicago Public Schools. He gets respect in mainstream rap circles, but has also taken time to attend nonpolitical events with local grass-roots hip hop artists. And though he rarely discusses it publicly, his faith has been a central part of his life; the rapper became Muslim after years of study.
But he's also got a criminal past, something that's caused him some trouble on the campaign trail. Rhymefest was convicted in 2001 for domestic violence involving his first wife and in 2005 for firing a gun following during a dispute with a real estate agent in Indiana. Those incidents came up at a recent candidate forum including former police officer Cochran, lawyer and businessman George Davis and a pastor, the Rev. Andre Smith.
"Our children are dying on the street and anybody can make a platform to make themselves look good. No disrespect, but rapping, beating women and shooting at realtors . . . " Smith said before the crowd booed him into stopping.
Rhymefest, who sat in silence and rested his face on his hand, appeared angry.
The rapper says he's learned from his past, insists he's changed and that others can benefit from his perspective. He's says he's happily remarried and has two kids, including primary custody of a son from his first marriage.
"We're telling people because you made a mistake when you were younger you can never take a position of leadership? You can never grow out of it?" he said. "Then what we're telling the 20th ward is, lay down and die, you're done. We have attorneys on the City Council and that doesn't mean we were able to avoid a city deficit. We have officers who are aldermen, that doesn't mean our communities are kept safe."
The other candidates in the race have said Rhymefest does bring good ideas.
Davis, a community activist who was endorsed by both the Chicago Sun-Times and Chicago Tribune, agrees he and Rhymefest have similarities. Both of them have made public safety, housing and attracting business among their top issues for the ward, which includes Washington Park, Daley's proposed site for an Olympic stadium in the city's failed bid for the 2016 Games.
But Davis says that Rhymefest and other candidates don't have the experience to manage the city's roughly $6 billion budget.
"There's a lack of any vision or lack of foresight or any forward thinking to solve the challenges we have," Davis said. "We need someone in the 20th ward that has the ability to be a thoughtful leader."
Cochran has seen a groundswell of opposition and the police union didn't make an endorsement in the 20th, though it generally backs police officers. He defended himself at a recent candidate forum, saying he cares about the ward, but navigating the system isn't so easy.
Even those who don't support Rhymefest, like 73-year-old Gloria Searcey, say he understands issues in the ward like a lack of hospitals and business development. The retired furniture store worker has lived in the area since the 1940s and has seen it fade from a vibrant community with a busy shopping corridor to one of the most neglected areas in Chicago.
But even if Rhymefest loses, his ward and Chicago will likely stay a source of inspiration for his music. While driving around the area, Rhymefest discussed his frustration with poverty and how he felt those at City Hall had given up on his neighborhood.
He then broke into an impromptu rap, bobbing his head from side to side and chopping the air with his hands.
"Givin' up on the hood, I'm not down with it," he rapped. "We all in a pool of debt and just drowned in it."
Never say never: Bieber wins MVP at celeb game
LOS ANGELES – Justin Bieber finally won a trophy in L.A.
The teen singing sensation, who was shut out at the Grammys, was chosen most valuable player despite playing for the losing team in the NBA All-Star celebrity game on Friday night.
Bieber had eight points, four assists and two rebounds for the West team, which lost 54-49 to the East at the Los Angeles Convention Center.
Hall of Famer Scottie Pippen led the Magic Johnson-coached East team with 17 points in a game whose defensive highlight might have been Pippen's third-quarter block of Bieber.
The vertically challenged Bieber scampered up and down the court, his famous shaggy 'do bouncing with every step as girls shrieked at the sight.
"He has the softest hair," marveled former Los Angeles Laker Rick Fox, who patted his West teammate Bieber on the head during the game.
Wearing a black T-shirt under his red-and-white jersey, Bieber spent most of the game hitching up his shorts that fell well below the knee. His pregame stretching included trying, but failing, to touch his toes.
Bieber showed off some slick moves, dribbling behind his back, and driving and dishing to taller teammate and ESPN analyst Jalen Rose. Bieber fed A.C. Green for the game's first basket, and the singer later hit a 3-pointer.
"I'm just running back and forth," Bieber said during an in-game interview. "I'm controlling this whole team. I'm just kidding."
With actor Jamie Foxx and Lakers star Lamar Odom watching, Bieber missed a 3-pointer that would have tied it with 30 seconds to go. Afterward, the 16-year-old was hurried off the court by burly security guards.
Bieber's week began when he lost out on his two Grammy nominations at Staples Center. But things picked up with another TV guest appearance on "CSI" and his "Never Say Never" concert movie was No. 2 at the box office.
Bieber's celebrity teammates were Zac Levi of "Chuck," R&B singer Trey Songz, rapper Romeo Miller, and Rob Kardashian, whose sister Khloe is married to Odom.
"He didn't embarrass the family," Odom said afterward.
Besides Rob and Khloe, who stood out in skintight leopard leggings, the Kardashian clan was represented by their stepfather Bruce Jenner and Khloe's half-sisters Kendall and Kylie Jenner.
WNBA player Swin Cash was on the West team coached by Bill Walton. His assistants were actor Jason Alexander and Bill Simmons of ESPN.com.
Celebs on the East team were actor and comedian Nick Cannon, Jason Sudeikis of "Saturday Night Live," rapper and actor Common, and Michael Rapaport of "Pound Puppies."
They were bolstered by the shooting prowess of former NBA players Mitch Richmond and Chris Mullin, and WNBA player Tamika Catchings. Late night host Jimmy Kimmel and Ty Burrell of "Modern Family" were Johnson's assistants.
The teen singing sensation, who was shut out at the Grammys, was chosen most valuable player despite playing for the losing team in the NBA All-Star celebrity game on Friday night.
Bieber had eight points, four assists and two rebounds for the West team, which lost 54-49 to the East at the Los Angeles Convention Center.
Hall of Famer Scottie Pippen led the Magic Johnson-coached East team with 17 points in a game whose defensive highlight might have been Pippen's third-quarter block of Bieber.
The vertically challenged Bieber scampered up and down the court, his famous shaggy 'do bouncing with every step as girls shrieked at the sight.
"He has the softest hair," marveled former Los Angeles Laker Rick Fox, who patted his West teammate Bieber on the head during the game.
Wearing a black T-shirt under his red-and-white jersey, Bieber spent most of the game hitching up his shorts that fell well below the knee. His pregame stretching included trying, but failing, to touch his toes.
Bieber showed off some slick moves, dribbling behind his back, and driving and dishing to taller teammate and ESPN analyst Jalen Rose. Bieber fed A.C. Green for the game's first basket, and the singer later hit a 3-pointer.
"I'm just running back and forth," Bieber said during an in-game interview. "I'm controlling this whole team. I'm just kidding."
With actor Jamie Foxx and Lakers star Lamar Odom watching, Bieber missed a 3-pointer that would have tied it with 30 seconds to go. Afterward, the 16-year-old was hurried off the court by burly security guards.
Bieber's week began when he lost out on his two Grammy nominations at Staples Center. But things picked up with another TV guest appearance on "CSI" and his "Never Say Never" concert movie was No. 2 at the box office.
Bieber's celebrity teammates were Zac Levi of "Chuck," R&B singer Trey Songz, rapper Romeo Miller, and Rob Kardashian, whose sister Khloe is married to Odom.
"He didn't embarrass the family," Odom said afterward.
Besides Rob and Khloe, who stood out in skintight leopard leggings, the Kardashian clan was represented by their stepfather Bruce Jenner and Khloe's half-sisters Kendall and Kylie Jenner.
WNBA player Swin Cash was on the West team coached by Bill Walton. His assistants were actor Jason Alexander and Bill Simmons of ESPN.com.
Celebs on the East team were actor and comedian Nick Cannon, Jason Sudeikis of "Saturday Night Live," rapper and actor Common, and Michael Rapaport of "Pound Puppies."
They were bolstered by the shooting prowess of former NBA players Mitch Richmond and Chris Mullin, and WNBA player Tamika Catchings. Late night host Jimmy Kimmel and Ty Burrell of "Modern Family" were Johnson's assistants.
Rossini's `Armida' revived at Metropolitan Opera
NEW YORK – It took 193 years for Rossini's "Armida" to make it to the Metropolitan Opera but only nine months for its first revival.
Soprano Renee Fleming and five of the six tenors who sang in last spring's production premiere returned Friday night. Given the time to work together, the cast sounded and appeared more comfortable than when the staging debuted.
Fleming sang the role of the sorceress at the 1993 Rossini Festival in Pesaro, Italy, and repeated it in a concert performance at Carnegie Hall three years later. The Bel Canto coloratura is not the most natural fit for her voice, but she sings it convincingly and was more relaxed than last spring, leading to a more breezy feeling throughout.
Armida's appeal to Fleming is evident, given her waves of love, anger and pride. She dominates the stage for much of the nearly four hours.
Also back in the cast are Lawrence Brownlee (Rinaldo), John Osborn (Goffredo), Yeghishe Manucharyan (Eustazio), Kobie van Rensburg (Ubaldo) and Barry Banks (Carlo). Antonio Siragusa took over from Jose Manuel Zapata as Gernando, and the native of Messina stood out for his superior diction as the only Italian native in the cast.
Brownlee, van Rensburg and Banks combined for the most moving moment of the night, the third act trio when the two Crusaders rescue Rinaldo from Armida's control. All six tenors showed vibrant voices with sheen.
As he did when the production was new, conductor Riccardo Frizza led a lively account of Rossini's bouncy, colorful music, including a lengthy second-act ballet interestingly and humorously choreographed by Graciela Daniele.
Director Mary Zimmerman's production, with sets by Richard Hudson, is rather plain — the green palm trees suggesting a desert oasis outside Jerusalem would fit in a tiki bar, and the oversize insects would work in a museum gift shop.
Soprano Renee Fleming and five of the six tenors who sang in last spring's production premiere returned Friday night. Given the time to work together, the cast sounded and appeared more comfortable than when the staging debuted.
Fleming sang the role of the sorceress at the 1993 Rossini Festival in Pesaro, Italy, and repeated it in a concert performance at Carnegie Hall three years later. The Bel Canto coloratura is not the most natural fit for her voice, but she sings it convincingly and was more relaxed than last spring, leading to a more breezy feeling throughout.
Armida's appeal to Fleming is evident, given her waves of love, anger and pride. She dominates the stage for much of the nearly four hours.
Also back in the cast are Lawrence Brownlee (Rinaldo), John Osborn (Goffredo), Yeghishe Manucharyan (Eustazio), Kobie van Rensburg (Ubaldo) and Barry Banks (Carlo). Antonio Siragusa took over from Jose Manuel Zapata as Gernando, and the native of Messina stood out for his superior diction as the only Italian native in the cast.
Brownlee, van Rensburg and Banks combined for the most moving moment of the night, the third act trio when the two Crusaders rescue Rinaldo from Armida's control. All six tenors showed vibrant voices with sheen.
As he did when the production was new, conductor Riccardo Frizza led a lively account of Rossini's bouncy, colorful music, including a lengthy second-act ballet interestingly and humorously choreographed by Graciela Daniele.
Director Mary Zimmerman's production, with sets by Richard Hudson, is rather plain — the green palm trees suggesting a desert oasis outside Jerusalem would fit in a tiki bar, and the oversize insects would work in a museum gift shop.
Detroit musicians reject orchestra offer, season ends
CHICAGO (Reuters) – The Detroit Symphony Orchestra suspended the remainder of its season after striking musicians rejected management's final contract offer on Saturday.
The Detroit Symphony Orchestra said it "reluctantly" released artists and conductors from their contracts after the vote. It suspended remaining orchestral concerts through June and said rescheduling concerts, resuming the 2011 summer season and announcing a 2011-2012 calendar remain possible pending a settlement.
Members of the orchestra, on strike since October, said they would seek a compromise agreement and urged quick talks to save the current season.
The orchestra is also ready to return to talks, the chairman of the DSO board of directors, Stanley Frankel, said in a statement.
Orchestra management and the 80 musicians have been tussling over issues of pay and how much of the orchestra's time should be devoted to community outreach.
Lower pay and higher medical costs in the proposed contract would make it far more difficult for the orchestra to attract the best talent, the union has said.
Musicians have not been paid by the orchestra during the strike. They are paid $300 a week from the union's strike fund and some are playing in other orchestras. Under the old contract, musicians were paid $2,020 a week on average.
Two musicians have accepted offers from other orchestras, violinist and union committee member Joe Goldman said earlier this week.
The Detroit Symphony Orchestra said it "reluctantly" released artists and conductors from their contracts after the vote. It suspended remaining orchestral concerts through June and said rescheduling concerts, resuming the 2011 summer season and announcing a 2011-2012 calendar remain possible pending a settlement.
Members of the orchestra, on strike since October, said they would seek a compromise agreement and urged quick talks to save the current season.
The orchestra is also ready to return to talks, the chairman of the DSO board of directors, Stanley Frankel, said in a statement.
Orchestra management and the 80 musicians have been tussling over issues of pay and how much of the orchestra's time should be devoted to community outreach.
Lower pay and higher medical costs in the proposed contract would make it far more difficult for the orchestra to attract the best talent, the union has said.
Musicians have not been paid by the orchestra during the strike. They are paid $300 a week from the union's strike fund and some are playing in other orchestras. Under the old contract, musicians were paid $2,020 a week on average.
Two musicians have accepted offers from other orchestras, violinist and union committee member Joe Goldman said earlier this week.
Saturday, February 19, 2011
Jackson's estate earned $310 million since death
LOS ANGELES – Despite more than $310 million in earnings since his death, Michael Jackson's lavish spending habits still haunt his legacy and have required lawyers to create new deals and restructure old debts, court records show.
Jackson died more than $400 million in debt, and attorneys are still trying to resolve several pending lawsuits, according to documents filed Thursday by his estate.
The report also states Jackson's estate spent $159 million between the singer's June 2009 death and the end of 2010, with some of the money used for his funeral, burial and to buy the Jackson family's home in the San Fernando Valley north of Los Angeles.
According to the filing, many of Jackson's debts, including his interests in a music catalog that features works by The Beatles and other top-earning musicians, have been restructured.
While Jackson's attorneys have resolved numerous debts and lawsuits, several cases are still unresolved, including disputes over Jackson's "Thriller" music video.
Since soon after the pop singer's death at age 50, attorneys began working on deals to begin to restore luster to Jackson's legacy, which had been tarnished even though he was acquitted of child molestation charges.
Projects have included the release of "This Is It," a film using rehearsal footage from Jackson's planned series of comeback shows; new music and video games; and the rerelease of the singer's autobiography.
An audit of the singer's earnings for already released music is under way and could yield more profits, the filings state.
Experts say Jackson's estate earnings are likely to rival those of another music superstar, Elvis Presley.
Most of the earnings benefit Jackson's three young children and his mother, Katherine, who is their guardian. Renovations on her home, valued at more than $4.1 million, are ongoing.
A judge will review the financial report, which is the first complete accounting of the King of Pop's financial affairs after his death. That hearing is scheduled for May 5.
Jackson's estate attorneys say the judge should expect to retain oversight of the estate for at least another year after that.
Jackson died more than $400 million in debt, and attorneys are still trying to resolve several pending lawsuits, according to documents filed Thursday by his estate.
The report also states Jackson's estate spent $159 million between the singer's June 2009 death and the end of 2010, with some of the money used for his funeral, burial and to buy the Jackson family's home in the San Fernando Valley north of Los Angeles.
According to the filing, many of Jackson's debts, including his interests in a music catalog that features works by The Beatles and other top-earning musicians, have been restructured.
While Jackson's attorneys have resolved numerous debts and lawsuits, several cases are still unresolved, including disputes over Jackson's "Thriller" music video.
Since soon after the pop singer's death at age 50, attorneys began working on deals to begin to restore luster to Jackson's legacy, which had been tarnished even though he was acquitted of child molestation charges.
Projects have included the release of "This Is It," a film using rehearsal footage from Jackson's planned series of comeback shows; new music and video games; and the rerelease of the singer's autobiography.
An audit of the singer's earnings for already released music is under way and could yield more profits, the filings state.
Experts say Jackson's estate earnings are likely to rival those of another music superstar, Elvis Presley.
Most of the earnings benefit Jackson's three young children and his mother, Katherine, who is their guardian. Renovations on her home, valued at more than $4.1 million, are ongoing.
A judge will review the financial report, which is the first complete accounting of the King of Pop's financial affairs after his death. That hearing is scheduled for May 5.
Jackson's estate attorneys say the judge should expect to retain oversight of the estate for at least another year after that.
Jury to begin deliberations in Buju Banton trial
TAMPA, Fla. – A federal jury in Florida will begin deliberations in the drug trial of Grammy-winning reggae singer Buju Banton.
The 37-year-old Banton, whose given name is Mark Myrie, is on trial for conspiring with two other men in setting up a drug deal in December of 2009. His album "Before the Dawn" won a Grammy on Sunday for best reggae album.
Federal Judge James Moody is scheduled to give the jury deliberation instructions Friday morning.
This is Banton's second trial; a jury deadlocked in his first trial last year. If convicted of all the charges, he faces up to life in prison.
Friday, February 18, 2011
Closing arguments finish in 2nd Buju Banton trial
TAMPA, Fla. – Closing arguments in the second drug trial of Grammy-winning reggae singer Buju Banton ended Thursday afternoon, setting the stage for jurors to deliberate on his fate.
The 37-year-old Banton is accused of conspiring with two other men in setting up a drug deal in December of 2009. His album "Before the Dawn" won a Grammy for best reggae album this week, and he remains wildly popular in his native Jamaica.
A jury deadlocked in his first trial last year. If convicted of all the charges, he faces up to life in prison.
Every seat in the federal courtroom in Tampa was filled as the lawyers gave their closing arguments. Many of the seats were taken by Banton's friends and fans, including well-known reggae artists Gramps Morgan and Wayne Wonder. During the lunch break, about a dozen supporters held hands and prayed for Banton in the court hallway.
"I'm fighting for my freedom," said Banton, whose given name is Mark Myrie. "I'm fighting for my life."
Assistant U.S. Attorney James Preston told the jury on Thursday that Banton portrayed himself as a broker of drug deals in several conversations with a confidential informant.
"This is not about Buju Banton, the reggae singer," Preston said. "This is about Mark Myrie, the drug defendant."
Preston said Banton thought he was getting involved in a "no-risk" deal in which he would introduce a friend to a confidential informant, and then later collect money from drug transactions.
"The defendant saw this as a no-risk opportunity," said Preston.
Much of the case hinges on meetings and phone calls that were video and audiotaped by the confidential informant, who was working with the Drug Enforcement Administration — and who made $50,000 in commission after the bust.
In one video, Banton could be seen tasting cocaine in a Sarasota warehouse on Dec. 8, 2009 — but he was not present during the actual drug deal on Dec. 10 that led two others to be arrested. Those two men later pleaded guilty.
Prosecutors acknowledge that Banton did not put any money into the drug deal, nor did he ever profit from it. Defense attorney David Markus said his client is "a big talker" who admitted to trying to impress the confidential informant but wasn't involved in any drug deal.
"He tried to act cool," said Markus.
Banton is charged with conspiracy to possess with the intent to distribute cocaine; attempted possession with the intent to distribute cocaine; possession of a firearm in furtherance of a drug trafficking offense; and using the wires to facilitate a drug trafficking offense.
The jury will begin deliberating on Friday morning.
The 37-year-old Banton is accused of conspiring with two other men in setting up a drug deal in December of 2009. His album "Before the Dawn" won a Grammy for best reggae album this week, and he remains wildly popular in his native Jamaica.
A jury deadlocked in his first trial last year. If convicted of all the charges, he faces up to life in prison.
Every seat in the federal courtroom in Tampa was filled as the lawyers gave their closing arguments. Many of the seats were taken by Banton's friends and fans, including well-known reggae artists Gramps Morgan and Wayne Wonder. During the lunch break, about a dozen supporters held hands and prayed for Banton in the court hallway.
"I'm fighting for my freedom," said Banton, whose given name is Mark Myrie. "I'm fighting for my life."
Assistant U.S. Attorney James Preston told the jury on Thursday that Banton portrayed himself as a broker of drug deals in several conversations with a confidential informant.
"This is not about Buju Banton, the reggae singer," Preston said. "This is about Mark Myrie, the drug defendant."
Preston said Banton thought he was getting involved in a "no-risk" deal in which he would introduce a friend to a confidential informant, and then later collect money from drug transactions.
"The defendant saw this as a no-risk opportunity," said Preston.
Much of the case hinges on meetings and phone calls that were video and audiotaped by the confidential informant, who was working with the Drug Enforcement Administration — and who made $50,000 in commission after the bust.
In one video, Banton could be seen tasting cocaine in a Sarasota warehouse on Dec. 8, 2009 — but he was not present during the actual drug deal on Dec. 10 that led two others to be arrested. Those two men later pleaded guilty.
Prosecutors acknowledge that Banton did not put any money into the drug deal, nor did he ever profit from it. Defense attorney David Markus said his client is "a big talker" who admitted to trying to impress the confidential informant but wasn't involved in any drug deal.
"He tried to act cool," said Markus.
Banton is charged with conspiracy to possess with the intent to distribute cocaine; attempted possession with the intent to distribute cocaine; possession of a firearm in furtherance of a drug trafficking offense; and using the wires to facilitate a drug trafficking offense.
The jury will begin deliberating on Friday morning.
Madonna Malawi project leader lays out plans
NEW YORK – Logistical problems and other concerns have led Madonna to abandon her plan to build a girls-only school in Malawi, but the new leader of her effort says the superstar instead plans many more schools with educational groups already working toward that goal.
"Basically, what we'd be doing is expanding the ability for a group of nonprofits to provide education to more kids," said Trevor Neilson in an interview with The Associated Press on Thursday.
Neilson, a former executive with the Bill & Melinda Gates Foundation, joins the Raising Malawi project as a partner of the Global Philanthropy Group, a leading international organization that works with organizations and governments around the globe.
He and several other experienced philanthropy experts became part of Raising Malawi's revamped team in November.
"Madonna increasingly began to have concerns about the effectiveness of the existing strategy and management team, and as a result has made sweeping changes in order to better serve more children in Malawi," he said.
The Kabbalah Centre, once a part of the project, is no longer involved, Neilson noted. Madonna has practiced Kabbalah, a form of Jewish mysticism, for years.
The bigger changes involve the scope of Madonna's educational plans in the impoverished African country. The superstar, who has adopted a boy and a girl from Malawi, had initially planned to build a school for girls, most of whom don't get the opportunity to go to school.
The school was to be on an approximately 117-acre plot of government land near the capital, Lilongwe. But soon after the location was announced, several local villagers claimed they owned the land and the government was forcing them off of it.
"Obviously, Raising Malawi didn't know anything about this, and was surprised, yet Raising Malawi paid those people over $130,000, which in Malawi is a lot of money," Neilson said.
Even after that, however, he said, Raising Malawi never got title to the land. In addition, Neilson said the school was being built in an area where there were not many children, and too much effort was being paid to the design of the building.
"Madonna was shocked to find out how much time and money had been spent on architecture," he said, though declining to give an exact estimate, simply saying, "too much!"
Instead of creating a Raising Malawi school, the new plan is to use Raising Malawi's resources to partner with other NGOs, or non-governmental organizations, already working to provide a better education in Malawi.
"Working in consultation with a series of non-profits and education efforts, we're looking at a new strategy that builds more schools, but embeds them in communities of Malawi where the students are," he said.
"Basically what we'd be doing is expanding the ability for a group of non-profits to provide education to more kids," he added.
Neilson said Raising Malawi has contacted its key donors and informed them of the change in strategy: "All of the major donors we've talked to are really excited about the strategy."
Neilson also added that contrary to reports, the charity is still working very closely with the government, and that Madonna called the president's office and explained her new plans.
New schools could be built by the end of this year, and the educational efforts, while geared toward girls, will not exclude boys, he said.
"The need is so broad that you don't want to come into a community and say, `Sorry boys, you can't go to school,'" he said.
Neilson said Madonna would go to the region "soon" and stressed that she was still fiercely committed to the country: He said Raising Malawi has dispersed $13 million toward charitable efforts over the last few years.
"She's very frustrated that the project has not moved faster and has not reached children with these services in a faster way," he said. "Ultimately, that's all that matters, is that children go to school."
He said Madonna has also denounced Malawi's anti-gay measures, but said she would still work with the country to help the children. "I don't think that that is core to this project in any way."
"Basically, what we'd be doing is expanding the ability for a group of nonprofits to provide education to more kids," said Trevor Neilson in an interview with The Associated Press on Thursday.
Neilson, a former executive with the Bill & Melinda Gates Foundation, joins the Raising Malawi project as a partner of the Global Philanthropy Group, a leading international organization that works with organizations and governments around the globe.
He and several other experienced philanthropy experts became part of Raising Malawi's revamped team in November.
"Madonna increasingly began to have concerns about the effectiveness of the existing strategy and management team, and as a result has made sweeping changes in order to better serve more children in Malawi," he said.
The Kabbalah Centre, once a part of the project, is no longer involved, Neilson noted. Madonna has practiced Kabbalah, a form of Jewish mysticism, for years.
The bigger changes involve the scope of Madonna's educational plans in the impoverished African country. The superstar, who has adopted a boy and a girl from Malawi, had initially planned to build a school for girls, most of whom don't get the opportunity to go to school.
The school was to be on an approximately 117-acre plot of government land near the capital, Lilongwe. But soon after the location was announced, several local villagers claimed they owned the land and the government was forcing them off of it.
"Obviously, Raising Malawi didn't know anything about this, and was surprised, yet Raising Malawi paid those people over $130,000, which in Malawi is a lot of money," Neilson said.
Even after that, however, he said, Raising Malawi never got title to the land. In addition, Neilson said the school was being built in an area where there were not many children, and too much effort was being paid to the design of the building.
"Madonna was shocked to find out how much time and money had been spent on architecture," he said, though declining to give an exact estimate, simply saying, "too much!"
Instead of creating a Raising Malawi school, the new plan is to use Raising Malawi's resources to partner with other NGOs, or non-governmental organizations, already working to provide a better education in Malawi.
"Working in consultation with a series of non-profits and education efforts, we're looking at a new strategy that builds more schools, but embeds them in communities of Malawi where the students are," he said.
"Basically what we'd be doing is expanding the ability for a group of non-profits to provide education to more kids," he added.
Neilson said Raising Malawi has contacted its key donors and informed them of the change in strategy: "All of the major donors we've talked to are really excited about the strategy."
Neilson also added that contrary to reports, the charity is still working very closely with the government, and that Madonna called the president's office and explained her new plans.
New schools could be built by the end of this year, and the educational efforts, while geared toward girls, will not exclude boys, he said.
"The need is so broad that you don't want to come into a community and say, `Sorry boys, you can't go to school,'" he said.
Neilson said Madonna would go to the region "soon" and stressed that she was still fiercely committed to the country: He said Raising Malawi has dispersed $13 million toward charitable efforts over the last few years.
"She's very frustrated that the project has not moved faster and has not reached children with these services in a faster way," he said. "Ultimately, that's all that matters, is that children go to school."
He said Madonna has also denounced Malawi's anti-gay measures, but said she would still work with the country to help the children. "I don't think that that is core to this project in any way."
Billboard Music Awards returning to TV in May
NEW YORK – Billboard said Thursday it plans to bring back its annual music awards show on television after it has been dormant since 2006.
The Billboard Music Awards will be shown live on ABC from Las Vegas on May 22. In contrast to the annual Grammy Awards, which awards trophies based on the votes of industry professionals, the Billboard awards will honor artists based on sales figures tracked by the music trade publication, concert attendance and the amount of online activity connected to the artist.
Besides the awards show, Billboard will be aggressive in making more music programming for TV, said Richard Beckman, CEO of Prometheus Global Media, which became the publication's owner last year.
The revival has been in the works since last year, but the timing may be fortuitous. Sunday's Grammy Awards telecast was seen by nearly 27 million viewers, about 10 million more than in 2006 and 2008, the Nielsen Co. said.
"Music has never been a more powerful force in culture than it is today," Beckman said.
The original Billboard awards started in 1989 and were abandoned after the 2006 show. Toward the end, not enough money was spent on the productions and viewers noticed, Beckman said.
Veteran special events producer Don Mischer will work on this year's event, which Beckman wants to be "an incredible celebration of every facet of music, every genre of music."
The show is timed for the beginning of the summer concert season, when a lot of new music is introduced — increasing the possibility that big-name artists will want to appear, he said. No participating artists were announced Thursday. From a television standpoint, it comes after the end of the latest season of "American Idol" when there usually isn't a lot of music programming, he said.
"I don't think there is anywhere near enough music on television today," Beckman said. He wants productions under the Billboard banner to fill the perceived void. The company is also working on a new Billboard chart on undiscovered artists, one of which will be championed at the awards show.
The Billboard awards in categories like R&B, rap, pop, rock, country, Latin and alternative will be based on music sales between the end of February 2010 through February 2011.
The Billboard Music Awards will be shown live on ABC from Las Vegas on May 22. In contrast to the annual Grammy Awards, which awards trophies based on the votes of industry professionals, the Billboard awards will honor artists based on sales figures tracked by the music trade publication, concert attendance and the amount of online activity connected to the artist.
Besides the awards show, Billboard will be aggressive in making more music programming for TV, said Richard Beckman, CEO of Prometheus Global Media, which became the publication's owner last year.
The revival has been in the works since last year, but the timing may be fortuitous. Sunday's Grammy Awards telecast was seen by nearly 27 million viewers, about 10 million more than in 2006 and 2008, the Nielsen Co. said.
"Music has never been a more powerful force in culture than it is today," Beckman said.
The original Billboard awards started in 1989 and were abandoned after the 2006 show. Toward the end, not enough money was spent on the productions and viewers noticed, Beckman said.
Veteran special events producer Don Mischer will work on this year's event, which Beckman wants to be "an incredible celebration of every facet of music, every genre of music."
The show is timed for the beginning of the summer concert season, when a lot of new music is introduced — increasing the possibility that big-name artists will want to appear, he said. No participating artists were announced Thursday. From a television standpoint, it comes after the end of the latest season of "American Idol" when there usually isn't a lot of music programming, he said.
"I don't think there is anywhere near enough music on television today," Beckman said. He wants productions under the Billboard banner to fill the perceived void. The company is also working on a new Billboard chart on undiscovered artists, one of which will be championed at the awards show.
The Billboard awards in categories like R&B, rap, pop, rock, country, Latin and alternative will be based on music sales between the end of February 2010 through February 2011.
Thursday, February 17, 2011
Lady Gaga goes straight to No. 1 with "Born This Way"
NEW YORK (Billboard) – And you thought her entrance at the Grammy Awards was attention-getting.
Lady Gaga's "Born This Way" made music history on Wednesday by going straight to No. 1 on the Billboard Hot 100 song chart to become the 1,000th top song in the list's 52-year history.
"It is a tremendous honor," Gaga tells Billboard of the milestone. "To be the 1000th No. 1 on Billboard...I would be silly not to say this is the greatest honor of my career."
"I am so humbled and so honored and overwhelmed by the reception to 'Born This Way,'" Gaga adds. " (It) has been so life changing for me as an artist, and between Billboard and the international number ones and the radio numbers...I couldn't be more blessed to have the fans that I have."
Fittingly for such a milestone, the first single and title track from Lady Gaga's third album, due May 23, arrives in record-breaking fashion.
On Radio Songs, the Hot 100's airplay component chart, "Born This Way" begins at No. 6 with a first-week audience of 78.5 million. That's the highest bow and largest opening airplay figure for a song since the tally began incorporating all radio formats in December 1998.
The arrival of "Born This Way" beat the previous debut record on Radio Songs, set when Janet Jackson's "All for You" soared in at No. 9 with 70 million in 2001.
With opening-week digital sales of 448,000, "Born This Way" likewise breaks barriers with the largest debut sum for a female artist. Britney Spears established the prior mark four weeks ago upon, the arrival of "Hold It Against Me" (411,000).
The opening of "Born" marks the third-largest debut among all digital tracks. Flo Rida's "Right Round" started with 636,000 in February 2009 and the Black Eyed Peas' "Boom Boom Pow" with 465,000 two months later.
REWRITING HISTORY
Notably, "Born This Way" rewrites airplay and digital history after just five days of availability at radio and three days at online retailers.
The song is also just the 19th title to debut at No. 1 in the Hot 100's history.
The 1,000th Hot 100 No. 1 is Lady Gaga's third chart leader, following her first two singles: "Just Dance," featuring Colby O'Donis (the 968th No. 1), and "Poker Face" (972), both in 2009.
The Hot 100 currently ranks titles by employing a formula measuring radio airplay, as tabulated by Nielsen BDS; sales, according to Nielsen SoundScan; and, streaming activity data.
The weekly survey launched in the pages of Billboard magazine in the issue dated August 4, 1958, with Ricky Nelson's "Poor Little Fool" reigning over the inaugural listing.
Among notable historic No. 1s, the Beatles' first of their record 20 toppers, "I Want to Hold Your Hand" (the 104th No. 1), reached the pinnacle the week of February 1, 1964.
Mariah Carey tallied her first No. 1 August 4, 1990 (the chart's 32nd anniversary), with "Vision of Love," her first of 18 No. 1s, the most among women. Her "One Sweet Day," with Boyz II Men, logged the chart's longest reign, 16 weeks, in 1995-96.
Michael Jackson, the leader among solo males with 13 No. 1s, first reigned as a solo artist on the Hot 100 of October 14, 1972, with "Ben."
With the chart's 1,000 No. 1s spread over 2,743 weeks, the average leader has spent 2.74 weeks at the top spot.
Lady Gaga's "Born This Way" made music history on Wednesday by going straight to No. 1 on the Billboard Hot 100 song chart to become the 1,000th top song in the list's 52-year history.
"It is a tremendous honor," Gaga tells Billboard of the milestone. "To be the 1000th No. 1 on Billboard...I would be silly not to say this is the greatest honor of my career."
"I am so humbled and so honored and overwhelmed by the reception to 'Born This Way,'" Gaga adds. " (It) has been so life changing for me as an artist, and between Billboard and the international number ones and the radio numbers...I couldn't be more blessed to have the fans that I have."
Fittingly for such a milestone, the first single and title track from Lady Gaga's third album, due May 23, arrives in record-breaking fashion.
On Radio Songs, the Hot 100's airplay component chart, "Born This Way" begins at No. 6 with a first-week audience of 78.5 million. That's the highest bow and largest opening airplay figure for a song since the tally began incorporating all radio formats in December 1998.
The arrival of "Born This Way" beat the previous debut record on Radio Songs, set when Janet Jackson's "All for You" soared in at No. 9 with 70 million in 2001.
With opening-week digital sales of 448,000, "Born This Way" likewise breaks barriers with the largest debut sum for a female artist. Britney Spears established the prior mark four weeks ago upon, the arrival of "Hold It Against Me" (411,000).
The opening of "Born" marks the third-largest debut among all digital tracks. Flo Rida's "Right Round" started with 636,000 in February 2009 and the Black Eyed Peas' "Boom Boom Pow" with 465,000 two months later.
REWRITING HISTORY
Notably, "Born This Way" rewrites airplay and digital history after just five days of availability at radio and three days at online retailers.
The song is also just the 19th title to debut at No. 1 in the Hot 100's history.
The 1,000th Hot 100 No. 1 is Lady Gaga's third chart leader, following her first two singles: "Just Dance," featuring Colby O'Donis (the 968th No. 1), and "Poker Face" (972), both in 2009.
The Hot 100 currently ranks titles by employing a formula measuring radio airplay, as tabulated by Nielsen BDS; sales, according to Nielsen SoundScan; and, streaming activity data.
The weekly survey launched in the pages of Billboard magazine in the issue dated August 4, 1958, with Ricky Nelson's "Poor Little Fool" reigning over the inaugural listing.
Among notable historic No. 1s, the Beatles' first of their record 20 toppers, "I Want to Hold Your Hand" (the 104th No. 1), reached the pinnacle the week of February 1, 1964.
Mariah Carey tallied her first No. 1 August 4, 1990 (the chart's 32nd anniversary), with "Vision of Love," her first of 18 No. 1s, the most among women. Her "One Sweet Day," with Boyz II Men, logged the chart's longest reign, 16 weeks, in 1995-96.
Michael Jackson, the leader among solo males with 13 No. 1s, first reigned as a solo artist on the Hot 100 of October 14, 1972, with "Ben."
With the chart's 1,000 No. 1s spread over 2,743 weeks, the average leader has spent 2.74 weeks at the top spot.
Aretha Franklin talks return to stage, diet change
NEW YORK – Aretha Franklin, who says she's back at "150 percent," is planning to return to the stage in May for her first post-surgery performance.
The Grammy Award-winning singer will also release an album that month with Wal-Mart Stores Inc. More personally, she's working on losing more weight from her frame, which is noticeably slimmer since her December surgery.
"I want to not only maintain the weight I am at now, but better it, by one dress size," the Queen of Soul said Wednesday in a phone interview with The Associated Press.
The 68-year-old Franklin underwent surgery for an undisclosed ailment in December. She calls it "more than minor surgery."
At the time, word spread that her situation was dire, and she received a multitude of prayers and well wishes from fans. She dismissed reports that had her on her death bed: "You can't stop people from saying whatever it is they're going to say; you have no control over that."
Since her surgery, Franklin has been working out and walking on a track three times a week for at least a mile.
But she said her biggest health change has been in her diet: She's given up her beloved chitterlings, pigs' feet and ham hocks in favor of a Whole Foods-type diet, and she hopes to get down to a size 16.
"They're off my diet. They just really don't fit with Whole Foods," she said. "I had it for enough years that I don't miss it. You can't continue to eat things that are not good for you."
She acknowledges that after she resumes performing, it'll be hard to eat diet foods.
"When you come off (a high-energy concert), a carrot or some celery just isn't going to work," she said. "I've gotta do a fresh fruit thing ... and come up with some tasty and satisfying recipes that are going to work for me after concerts."
Franklin, who canceled several performances last year because of illness, has set her first concert since surgery on May 28 at the Seneca Niagara Casino in Buffalo, N.Y., and is set to release her long-awaited album, "Aretha: A Woman Falling Out of Love," the first week of May. R. Kelly is one of the album's songwriters.
"It's definitely going to take the boomers back ... but it's also contemporary with respect to other writers and production," she said.
Franklin was feted by the Grammys this week, as the show opened with a tribute to her featuring Christina Aguilera, Jennifer Hudson, Florence Welch, Martina McBride and Yolanda Adams.
Franklin herself hadn't sang for a month — which she believes was her longest time between singing — as she convalesced at home. She had to sing four or five times a day to get her voice back where it was, but she said it's "right on the money."
Franklin recently attended a Detroit Pistons game with the Rev. Jesse Jackson and said Wednesday that she was at a boat show lounging on a luxurious boat — and she planned to purchase it afterward.
Fans can expect to see more of Franklin in the coming months. When asked how her health is now, and whether she'd need follow-up for her surgery, Franklin said: "You have to just maintain good health from here."
The Grammy Award-winning singer will also release an album that month with Wal-Mart Stores Inc. More personally, she's working on losing more weight from her frame, which is noticeably slimmer since her December surgery.
"I want to not only maintain the weight I am at now, but better it, by one dress size," the Queen of Soul said Wednesday in a phone interview with The Associated Press.
The 68-year-old Franklin underwent surgery for an undisclosed ailment in December. She calls it "more than minor surgery."
At the time, word spread that her situation was dire, and she received a multitude of prayers and well wishes from fans. She dismissed reports that had her on her death bed: "You can't stop people from saying whatever it is they're going to say; you have no control over that."
Since her surgery, Franklin has been working out and walking on a track three times a week for at least a mile.
But she said her biggest health change has been in her diet: She's given up her beloved chitterlings, pigs' feet and ham hocks in favor of a Whole Foods-type diet, and she hopes to get down to a size 16.
"They're off my diet. They just really don't fit with Whole Foods," she said. "I had it for enough years that I don't miss it. You can't continue to eat things that are not good for you."
She acknowledges that after she resumes performing, it'll be hard to eat diet foods.
"When you come off (a high-energy concert), a carrot or some celery just isn't going to work," she said. "I've gotta do a fresh fruit thing ... and come up with some tasty and satisfying recipes that are going to work for me after concerts."
Franklin, who canceled several performances last year because of illness, has set her first concert since surgery on May 28 at the Seneca Niagara Casino in Buffalo, N.Y., and is set to release her long-awaited album, "Aretha: A Woman Falling Out of Love," the first week of May. R. Kelly is one of the album's songwriters.
"It's definitely going to take the boomers back ... but it's also contemporary with respect to other writers and production," she said.
Franklin was feted by the Grammys this week, as the show opened with a tribute to her featuring Christina Aguilera, Jennifer Hudson, Florence Welch, Martina McBride and Yolanda Adams.
Franklin herself hadn't sang for a month — which she believes was her longest time between singing — as she convalesced at home. She had to sing four or five times a day to get her voice back where it was, but she said it's "right on the money."
Franklin recently attended a Detroit Pistons game with the Rev. Jesse Jackson and said Wednesday that she was at a boat show lounging on a luxurious boat — and she planned to purchase it afterward.
Fans can expect to see more of Franklin in the coming months. When asked how her health is now, and whether she'd need follow-up for her surgery, Franklin said: "You have to just maintain good health from here."
Buju Banton testifies in his drug trial in Florida
TAMPA, Fla. – Grammy-winning reggae singer Buju Banton told a jury Wednesday that he's never been a drug dealer and that he was "just talking" to a government informant about a possible drug deal.
"I'm very ashamed of myself," Banton told the court. "I know it looks bad. I know it sounds bad. But I was not part of any drug deal."
The Jamaican star testified in federal court in Tampa that the informant — Alexander Johnson — badgered him after they met on a trans-Atlantic flight in July 2009 and insisted that they meet to set up a cocaine buy.
Banton, whose given name is Mark Myrie, said that he was so uninterested in Johnson's proposals that after they met twice, Banton didn't return the man's phone calls for months.
"He did everything he could to lure me in," Banton said about Johnson, who admittedly made $50,000 from the government after Banton's arrest.
Banton is on trial on four cocaine-related charges — including conspiracy with intent to possess and distribute — for the second time in Tampa federal court. The jury deadlocked in his first trial. If convicted, Banton faces up to life in prison.
Prosecutors and Banton agree on one thing: Banton never put any money into any drug deal, nor did he make any money.
Drug Enforcement Administration agents did record the singer inspecting cocaine and tasting the drugs with his finger on Dec. 8, Assistant U.S. Attorney James Preston said. His co-defendant, Ian Thomas, gave the undercover officer $135,000 on Dec. 10. He has since been arrested and pleaded guilty to drug charges. Another man, James Mack, was also named as a co-defendant; he has also pleaded guilty.
Banton was not present for the Dec. 10 drug deal — he was at home in South Florida — but he "took a substantial step" in committing the crime by helping negotiate the deal, Preston said.
Earlier Wednesday, Banton's attorney, David Markus, asked the judge to dismiss two of the charges, saying that U.S. prosecutors have no evidence that Banton used a communication device to commit the crime and had no connection to a gun that was recovered in the car of James Mack.
Banton testified that the first time he heard of Mack was after he was arrested and locked in the Pinellas County Jail.
Banton said a man walked up to him in jail and said, "My name is James Mack, and I'm your co-defendant."
The singer — whose recent work, "Before the Dawn," won a Grammy on Sunday for best reggae album — told the jury about growing up in poverty in Kingston, Jamaica, and how he worked his way to the top of his musical genre.
Banton, a father of 15, said in earlier taped recordings with the informant that he was "stressed out," and noted that he needed money to pay for his kids' school tuition.
Prosecutor Preston hammered Banton during cross examination, saying that the 37-year-old singer went out of his way to portray himself as a drug financier.
"You gave (the informant) every reason to believe you were a player in the cocaine game," Preston said.
Banton shot back: "We were both trying to impress each other. I was just making things up. I was just talking crap. I talk too much."
Two other Jamaican musicians, Stephen Marley and Gramps Morgan, testified on Banton's behalf Wednesday and said their friend definitely spoke with swagger — but is a hardworking musician and beloved musician in his native Jamaica who never had contact with cocaine.
"He's a big talker," said Marley, who is the son of reggae legend Bob Marley.
Said Morgan: "Buju's message and his music speaks for the poor."
Closing arguments are expected Thursday.
"I'm very ashamed of myself," Banton told the court. "I know it looks bad. I know it sounds bad. But I was not part of any drug deal."
The Jamaican star testified in federal court in Tampa that the informant — Alexander Johnson — badgered him after they met on a trans-Atlantic flight in July 2009 and insisted that they meet to set up a cocaine buy.
Banton, whose given name is Mark Myrie, said that he was so uninterested in Johnson's proposals that after they met twice, Banton didn't return the man's phone calls for months.
"He did everything he could to lure me in," Banton said about Johnson, who admittedly made $50,000 from the government after Banton's arrest.
Banton is on trial on four cocaine-related charges — including conspiracy with intent to possess and distribute — for the second time in Tampa federal court. The jury deadlocked in his first trial. If convicted, Banton faces up to life in prison.
Prosecutors and Banton agree on one thing: Banton never put any money into any drug deal, nor did he make any money.
Drug Enforcement Administration agents did record the singer inspecting cocaine and tasting the drugs with his finger on Dec. 8, Assistant U.S. Attorney James Preston said. His co-defendant, Ian Thomas, gave the undercover officer $135,000 on Dec. 10. He has since been arrested and pleaded guilty to drug charges. Another man, James Mack, was also named as a co-defendant; he has also pleaded guilty.
Banton was not present for the Dec. 10 drug deal — he was at home in South Florida — but he "took a substantial step" in committing the crime by helping negotiate the deal, Preston said.
Earlier Wednesday, Banton's attorney, David Markus, asked the judge to dismiss two of the charges, saying that U.S. prosecutors have no evidence that Banton used a communication device to commit the crime and had no connection to a gun that was recovered in the car of James Mack.
Banton testified that the first time he heard of Mack was after he was arrested and locked in the Pinellas County Jail.
Banton said a man walked up to him in jail and said, "My name is James Mack, and I'm your co-defendant."
The singer — whose recent work, "Before the Dawn," won a Grammy on Sunday for best reggae album — told the jury about growing up in poverty in Kingston, Jamaica, and how he worked his way to the top of his musical genre.
Banton, a father of 15, said in earlier taped recordings with the informant that he was "stressed out," and noted that he needed money to pay for his kids' school tuition.
Prosecutor Preston hammered Banton during cross examination, saying that the 37-year-old singer went out of his way to portray himself as a drug financier.
"You gave (the informant) every reason to believe you were a player in the cocaine game," Preston said.
Banton shot back: "We were both trying to impress each other. I was just making things up. I was just talking crap. I talk too much."
Two other Jamaican musicians, Stephen Marley and Gramps Morgan, testified on Banton's behalf Wednesday and said their friend definitely spoke with swagger — but is a hardworking musician and beloved musician in his native Jamaica who never had contact with cocaine.
"He's a big talker," said Marley, who is the son of reggae legend Bob Marley.
Said Morgan: "Buju's message and his music speaks for the poor."
Closing arguments are expected Thursday.
Wednesday, February 16, 2011
Lady Gaga heading for hit, with Madonna's blessing
LOS ANGELES (Reuters) – Lady Gaga's new Madonna-influenced single "Born This Way" is expected to storm the U.S. charts this week after record-setting radio play and more than 450,000 downloads, music industry sources say.
And the dance single also has the blessing of Madonna, Lady Gaga said.
"Born This Way" -- which fans and music critics have likened to the 1989 Madonna hit "Express Yourself" -- had sold more than 450,000 downloads in the first three days since its release on Friday, Billboard said quoting industry sources.
It also had a record-setting 4,602 radio plays in the United States, according to Nielsen. That should see the single debut at No.1 when the Billboard Hot 100 charts are released on Wednesday, Billboard said.
Lady Gaga addressed Madonna's influence in an appearance on the "Tonight Show with Jay Leno" on Monday.
"There is really no one that is a more adoring and loving Madonna fan than me. I am the hugest fan personally and professionally," the 24-year-old singer told Leno.
"Well, the good news is that I got an e-mail from her people, and her sending me their love and complete support on behalf of the single, and if the queen says it shall be, then it shall be," she said.
Lady Gaga, who won three Grammys on Sunday after a headline-grabbing entrance encased in a giant egg, will make her concert debut on cable channel HBO in May.
HBO said on Tuesday that it would tape the singer's Feb 21 and 22 concerts at Madison Square Garden in New York for a May 7 broadcast.
"Born This Way" is the first single from a new Lady Gaga album scheduled for release on May 23.
The singer and performance artist told Leno on Monday that the opaque egg in which she arrived at the Grammys was in fact a "vessel" and said she had been inside it for three days before her performance on Sunday.
And the dance single also has the blessing of Madonna, Lady Gaga said.
"Born This Way" -- which fans and music critics have likened to the 1989 Madonna hit "Express Yourself" -- had sold more than 450,000 downloads in the first three days since its release on Friday, Billboard said quoting industry sources.
It also had a record-setting 4,602 radio plays in the United States, according to Nielsen. That should see the single debut at No.1 when the Billboard Hot 100 charts are released on Wednesday, Billboard said.
Lady Gaga addressed Madonna's influence in an appearance on the "Tonight Show with Jay Leno" on Monday.
"There is really no one that is a more adoring and loving Madonna fan than me. I am the hugest fan personally and professionally," the 24-year-old singer told Leno.
"Well, the good news is that I got an e-mail from her people, and her sending me their love and complete support on behalf of the single, and if the queen says it shall be, then it shall be," she said.
Lady Gaga, who won three Grammys on Sunday after a headline-grabbing entrance encased in a giant egg, will make her concert debut on cable channel HBO in May.
HBO said on Tuesday that it would tape the singer's Feb 21 and 22 concerts at Madison Square Garden in New York for a May 7 broadcast.
"Born This Way" is the first single from a new Lady Gaga album scheduled for release on May 23.
The singer and performance artist told Leno on Monday that the opaque egg in which she arrived at the Grammys was in fact a "vessel" and said she had been inside it for three days before her performance on Sunday.
Reggae star's trial on drug charges enters 2nd day
TAMPA, Fla. – The case against Grammy-winning reggae star Buju Banton hinges on one man: Alexander Johnson, a former cocaine transporter turned federal informant who has earned over $3 million helping the government in drug cases in recent years.
Johnson testified during Banton's trial Tuesday, telling the jury how he and the singer met in 2009 in the business-class section of a Madrid-to-Miami flight and how, over drinks, they began chatting about the cocaine trade.
This is Banton's second trial on several cocaine charges, including conspiracy to possess with the intent to distribute cocaine. The first trial, held last year, ended in a mistrial after the jury deadlocked. If convicted, he faces life in prison.
Johnson said Tuesday that after his eight-hour flight, he went to his superiors at the Drug Enforcement Administration to alert them that he would meet with Banton, whose given name is Mark Myrie, and tape record phone calls and meetings.
For several hours Tuesday, Johnson described multiple meetings with Banton in Florida, and prosecutors played tapes and phone calls.
In one meeting, held at the now-defunct restaurant Bova Prime in Fort Lauderdale (formerly co-owned by convicted Ponzi schemer Scott Rothstein), Banton could be heard asking Johnson if he had any contacts for buying cocaine.
As Lady Gaga's "Poker Face" played loudly in the background, Banton said, "I give you my money, you buy, you sell."
Both Johnson and prosecutors say that Banton never put any money into any drug deal, nor did he make any money.
Drug Enforcement Administration agents recorded the singer inspecting the cocaine and tasting the drugs with his finger on Dec. 8, Preston said. His co-defendant, Ian Thomas, gave the undercover officer $135,000 on Dec. 10; he has since been arrested and pleaded guilty to drug charges.
Banton was not present for the Dec. 10 drug deal — he was at home in South Florida — but he "took a substantial step" in committing the crime by helping negotiate the deal, Preston said.
Banton's attorney, David Markus, said his client did not participate in a conspiracy to sell cocaine and said there is no evidence to link Banton to the Dec. 10 transaction or any of the other charges. Banton was full of talk — and no action — when it came to plans with Johnson and the others, the attorney said.
"He never, ever wanted to be part of that drug deal," Markus said.
Markus cross-examined Johnson Tuesday afternoon and called into question his veracity — Johnson has declared bankruptcy and is currently having problems with the IRS, according to court testimony.
Markus also portrayed Johnson as aggressively trying to lure Banton into the drug transaction by calling the singer numerous times over several months.
During one meeting, Banton said he had drank too much red wine, and wanted water. Johnson asked him if he wouldn't like something else — and Markus asked Johnson Tuesday if Johnson wanted the singer to drink more so he would let his guard down.
Johnson nodded and said, "It's part of the game I'm playing."
Johnson added that he tried to make Banton feel like part of his family.
It is unclear why Banton — who has had more No. 1 hits than Bob Marley and is a wildly popular singer in his native Jamaica and elsewhere — would immediately trust a stranger.
During one meeting, Banton told Johnson: "Do you know what's happening right now? Lotta snitches."
Johnson replied, "The snitches are all over the f------ place."
Banton added,"I'm even scared myself. To be discussing this."
Testimony will resume Wednesday.
Johnson testified during Banton's trial Tuesday, telling the jury how he and the singer met in 2009 in the business-class section of a Madrid-to-Miami flight and how, over drinks, they began chatting about the cocaine trade.
This is Banton's second trial on several cocaine charges, including conspiracy to possess with the intent to distribute cocaine. The first trial, held last year, ended in a mistrial after the jury deadlocked. If convicted, he faces life in prison.
Johnson said Tuesday that after his eight-hour flight, he went to his superiors at the Drug Enforcement Administration to alert them that he would meet with Banton, whose given name is Mark Myrie, and tape record phone calls and meetings.
For several hours Tuesday, Johnson described multiple meetings with Banton in Florida, and prosecutors played tapes and phone calls.
In one meeting, held at the now-defunct restaurant Bova Prime in Fort Lauderdale (formerly co-owned by convicted Ponzi schemer Scott Rothstein), Banton could be heard asking Johnson if he had any contacts for buying cocaine.
As Lady Gaga's "Poker Face" played loudly in the background, Banton said, "I give you my money, you buy, you sell."
Both Johnson and prosecutors say that Banton never put any money into any drug deal, nor did he make any money.
Drug Enforcement Administration agents recorded the singer inspecting the cocaine and tasting the drugs with his finger on Dec. 8, Preston said. His co-defendant, Ian Thomas, gave the undercover officer $135,000 on Dec. 10; he has since been arrested and pleaded guilty to drug charges.
Banton was not present for the Dec. 10 drug deal — he was at home in South Florida — but he "took a substantial step" in committing the crime by helping negotiate the deal, Preston said.
Banton's attorney, David Markus, said his client did not participate in a conspiracy to sell cocaine and said there is no evidence to link Banton to the Dec. 10 transaction or any of the other charges. Banton was full of talk — and no action — when it came to plans with Johnson and the others, the attorney said.
"He never, ever wanted to be part of that drug deal," Markus said.
Markus cross-examined Johnson Tuesday afternoon and called into question his veracity — Johnson has declared bankruptcy and is currently having problems with the IRS, according to court testimony.
Markus also portrayed Johnson as aggressively trying to lure Banton into the drug transaction by calling the singer numerous times over several months.
During one meeting, Banton said he had drank too much red wine, and wanted water. Johnson asked him if he wouldn't like something else — and Markus asked Johnson Tuesday if Johnson wanted the singer to drink more so he would let his guard down.
Johnson nodded and said, "It's part of the game I'm playing."
Johnson added that he tried to make Banton feel like part of his family.
It is unclear why Banton — who has had more No. 1 hits than Bob Marley and is a wildly popular singer in his native Jamaica and elsewhere — would immediately trust a stranger.
During one meeting, Banton told Johnson: "Do you know what's happening right now? Lotta snitches."
Johnson replied, "The snitches are all over the f------ place."
Banton added,"I'm even scared myself. To be discussing this."
Testimony will resume Wednesday.
Lawyer with Jackson ties wants to represent doctor
LOS ANGELES – A lawyer who worked for celebrity attorney Mark Geragos during his representation of Michael Jackson said Tuesday he wants to join the defense team representing Jackson's doctor on an involuntary manslaughter charge.
The move by attorney Nareg Gourjian raised the possibility of a conflict of interest.
Superior Court Judge Michael Pastor said that loyalty to a former client, even one who is dead, is part of the rules that must be obeyed by all attorneys.
Dr. Conrad Murray, who was Jackson's personal physician at the time of his death, is accused of negligence in giving him the powerful anesthetic propofol and other sedatives listed as the cause of death in the pop star's autopsy.
Murray has pleaded not guilty. He did not attend Tuesday's hearing
Geragos represented Jackson on child molestation allegations from 2003 to 2005 but left the case before the trial in which Jackson was acquitted.
Gourjian, who appeared in court with Murray's lawyers, said he was a new attorney when he was hired by Geragos and did little on the Jackson case.
Geragos' associate, attorney Pat Harris, brought the situation to the judge's attention.
"Our position is there may be a conflict. We feel it is our duty to disclose it," Harris said. "We have the highest respect for Mr. Gourjian as an attorney."
Judge Pastor said he wants to hear from Geragos and an attorney for the Jackson estate on whether Gourjian's possible involvement in the Murray case would be a breach of loyalty to Jackson under California's Rules of Professional Conduct for attorneys.
The judge set a hearing for Feb. 24 on the issue.
Attorneys Ed Chernoff and J. Michael Flanagan, who represent Murray, proposed that Gourjian be allowed to substitute into the case, replacing attorney Joseph Low, who withdrew last week. Deputy District Attorney David Walgren said he had just heard about the plan.
"It does raise substantial concerns for the people, and it needs to be fully aired out," Walgren said. "We need to know more details."
Meanwhile, Walgren complained that defense lawyers had not provided any statements or evidence they plan to present at trial from a proposed list of 91 witnesses.
Chernoff said the lawyers don't have any statements or reports yet and were continuing to interview experts who might testify.
Walgren said the prosecution has turned over thousands of pages of discovery related to its list of 107 possible witnesses.
The trial is expected to last six weeks. The judge suggested that given the current state of affairs, the defense might not be ready by the March 24 start date.
Chernoff, however, who requested the early opening for jury selection, said he would be ready.
The move by attorney Nareg Gourjian raised the possibility of a conflict of interest.
Superior Court Judge Michael Pastor said that loyalty to a former client, even one who is dead, is part of the rules that must be obeyed by all attorneys.
Dr. Conrad Murray, who was Jackson's personal physician at the time of his death, is accused of negligence in giving him the powerful anesthetic propofol and other sedatives listed as the cause of death in the pop star's autopsy.
Murray has pleaded not guilty. He did not attend Tuesday's hearing
Geragos represented Jackson on child molestation allegations from 2003 to 2005 but left the case before the trial in which Jackson was acquitted.
Gourjian, who appeared in court with Murray's lawyers, said he was a new attorney when he was hired by Geragos and did little on the Jackson case.
Geragos' associate, attorney Pat Harris, brought the situation to the judge's attention.
"Our position is there may be a conflict. We feel it is our duty to disclose it," Harris said. "We have the highest respect for Mr. Gourjian as an attorney."
Judge Pastor said he wants to hear from Geragos and an attorney for the Jackson estate on whether Gourjian's possible involvement in the Murray case would be a breach of loyalty to Jackson under California's Rules of Professional Conduct for attorneys.
The judge set a hearing for Feb. 24 on the issue.
Attorneys Ed Chernoff and J. Michael Flanagan, who represent Murray, proposed that Gourjian be allowed to substitute into the case, replacing attorney Joseph Low, who withdrew last week. Deputy District Attorney David Walgren said he had just heard about the plan.
"It does raise substantial concerns for the people, and it needs to be fully aired out," Walgren said. "We need to know more details."
Meanwhile, Walgren complained that defense lawyers had not provided any statements or evidence they plan to present at trial from a proposed list of 91 witnesses.
Chernoff said the lawyers don't have any statements or reports yet and were continuing to interview experts who might testify.
Walgren said the prosecution has turned over thousands of pages of discovery related to its list of 107 possible witnesses.
The trial is expected to last six weeks. The judge suggested that given the current state of affairs, the defense might not be ready by the March 24 start date.
Chernoff, however, who requested the early opening for jury selection, said he would be ready.
Bruno Mars and Janelle Monae announce joint tour
NEW YORK (Billboard) – Following their show-stopping performance at the Grammy Awards, Bruno Mars and Janelle Monae will team up for a North American co-headlining tour.
The retro-pop singer and R&B songstress will embark on the joint trek, dubbed Hooligans in Wondaland, in May and June, with British singer/rapper Plan B set to open on select dates.
Before they kick off their road trip together, both artists will kick off their own European runs in the coming weeks -- Mars' will begin in Berlin, Germany on March. 3, while Monae will start her run in Brussels, Belgium on February 20.
Tour dates and venues for the Wondaland tour have yet to be announced.
Mars, Monae, and Atlanta rapper B.o.B earned a standing ovation for their Grammy performance, in which Mars played a doo-wop riff on his former Hot 100 chart-topper "Grenade" and Monae crowd-surfed while singing "Cold War."
Mars also walked away with the Best Male Pop Vocal Performance trophy for "Just the Way You Are," the first single from his debut album "Doo-Wops and Hooligans."
Mars is currently in Los Angeles shooting a video for his next "Doo-Wops" single, "The Lazy Song," and will stay in the city for the 2011 NBA All-Star Game, where he'll perform at the Pregame Show on Sunday.
The retro-pop singer and R&B songstress will embark on the joint trek, dubbed Hooligans in Wondaland, in May and June, with British singer/rapper Plan B set to open on select dates.
Before they kick off their road trip together, both artists will kick off their own European runs in the coming weeks -- Mars' will begin in Berlin, Germany on March. 3, while Monae will start her run in Brussels, Belgium on February 20.
Tour dates and venues for the Wondaland tour have yet to be announced.
Mars, Monae, and Atlanta rapper B.o.B earned a standing ovation for their Grammy performance, in which Mars played a doo-wop riff on his former Hot 100 chart-topper "Grenade" and Monae crowd-surfed while singing "Cold War."
Mars also walked away with the Best Male Pop Vocal Performance trophy for "Just the Way You Are," the first single from his debut album "Doo-Wops and Hooligans."
Mars is currently in Los Angeles shooting a video for his next "Doo-Wops" single, "The Lazy Song," and will stay in the city for the 2011 NBA All-Star Game, where he'll perform at the Pregame Show on Sunday.
Tuesday, February 15, 2011
Obama: Medicare, Social Security demand compromise
WASHINGTON – President Barack Obama said Tuesday the nation's major entitlement programs — Medicare, Medicaid and Social Security — must be adjusted by Democrats and Republicans acting together rather than by dictates from the White House.
Obama defended his decision to avoid any entitlement overhauls in the 2012 budget he submitted a day earlier, saying the two parties must work together to find compromise.
"There's going to be a lot of ups and downs in the coming months as we get to that solution," the president said in a news conference. "I'm confident that we can get this done."
The president described his $3.73 trillion budget as one of tough choices. It aims to reduce the deficit by $1.1 trillion over 10 years with a mix of spending freezes on domestic programs, pay hike suspensions for federal civilian workers and new revenues from increased taxes on the wealthy and on oil and gas producers.
But Obama's deficit relief is far more modest than that detailed by his fiscal commission, which in December proposed measures that would mop up four times as much red ink. Unlike his blue-ribbon group, the administration's budget does not address structural changes in Social Security or Medicare, the two largest items in the federal budget.
"Look at the history of how these deals get done," Obama said Tuesday. "Typically it's not because there's an Obama plan out there. It's because Democrats and Republicans are committed to tackling this in a serious way."
The commission's bipartisan report included politically difficult recommendation such as increasing the Social Security retirement age and reducing future increases in benefits. And while Obama has promised to overhaul the corporate tax system, he stops short of commission recommendations that would lower rates but generate additional revenue at the same. Obama has called for "revenue neutral" fixes to corporate taxes, meaning they would neither cost more money nor add money to the treasury.
"I'm not suggesting we don't have to do more," the president said.
Obama conceded that entitlement and tax changes are necessary and said Democrats and Republicans set a model for cooperation during the December lame duck congressional session when they negotiated a tax-cutting plan.
"My suspicion is that we're going to be able to do the same thing if we have the same attitude about entitlements," he said.
Obama Add3,0130
Following his party's sweeping defeats in the November elections, Obama pledged to refocus his agenda on the economy and creating jobs. He used last month's State of the Union address to lay out an agenda that he said would spur job growth in the short-term and increase U.S. competitiveness in the future.
Obama's budget aims to cut the deficit in part with tax increases, including eliminating tax breaks for oil and gas producers, that have failed to win support before under a Democratic control Congress. The measures face an even tougher challenge now that Republicans control the House of Representatives.
"I continue to believe I'm right," he said, when asked why he relied on previously defeated proposals. "so we're going to try again."
Following his party's sweeping defeats in the November elections, Obama pledged to refocus on the economy and creating jobs. He used last month's State of the Union address to lay out an agenda that he said would spur job growth in the short term and increase U.S. competitiveness in the future.
Obama's budget aims to cut the deficit partly with tax increases, including eliminating tax breaks for oil and gas producers, that have failed to win support before under a Democratic-controlled Congress. The measures face an even tougher challenge now that Republicans control the House of Representatives.
"I continue to believe I'm right," he said, when asked why he relied on previously defeated proposals. "So we're going to try again."
Obama defended his decision to avoid any entitlement overhauls in the 2012 budget he submitted a day earlier, saying the two parties must work together to find compromise.
"There's going to be a lot of ups and downs in the coming months as we get to that solution," the president said in a news conference. "I'm confident that we can get this done."
The president described his $3.73 trillion budget as one of tough choices. It aims to reduce the deficit by $1.1 trillion over 10 years with a mix of spending freezes on domestic programs, pay hike suspensions for federal civilian workers and new revenues from increased taxes on the wealthy and on oil and gas producers.
But Obama's deficit relief is far more modest than that detailed by his fiscal commission, which in December proposed measures that would mop up four times as much red ink. Unlike his blue-ribbon group, the administration's budget does not address structural changes in Social Security or Medicare, the two largest items in the federal budget.
"Look at the history of how these deals get done," Obama said Tuesday. "Typically it's not because there's an Obama plan out there. It's because Democrats and Republicans are committed to tackling this in a serious way."
The commission's bipartisan report included politically difficult recommendation such as increasing the Social Security retirement age and reducing future increases in benefits. And while Obama has promised to overhaul the corporate tax system, he stops short of commission recommendations that would lower rates but generate additional revenue at the same. Obama has called for "revenue neutral" fixes to corporate taxes, meaning they would neither cost more money nor add money to the treasury.
"I'm not suggesting we don't have to do more," the president said.
Obama conceded that entitlement and tax changes are necessary and said Democrats and Republicans set a model for cooperation during the December lame duck congressional session when they negotiated a tax-cutting plan.
"My suspicion is that we're going to be able to do the same thing if we have the same attitude about entitlements," he said.
Obama Add3,0130
Following his party's sweeping defeats in the November elections, Obama pledged to refocus his agenda on the economy and creating jobs. He used last month's State of the Union address to lay out an agenda that he said would spur job growth in the short-term and increase U.S. competitiveness in the future.
Obama's budget aims to cut the deficit in part with tax increases, including eliminating tax breaks for oil and gas producers, that have failed to win support before under a Democratic control Congress. The measures face an even tougher challenge now that Republicans control the House of Representatives.
"I continue to believe I'm right," he said, when asked why he relied on previously defeated proposals. "so we're going to try again."
Following his party's sweeping defeats in the November elections, Obama pledged to refocus on the economy and creating jobs. He used last month's State of the Union address to lay out an agenda that he said would spur job growth in the short term and increase U.S. competitiveness in the future.
Obama's budget aims to cut the deficit partly with tax increases, including eliminating tax breaks for oil and gas producers, that have failed to win support before under a Democratic-controlled Congress. The measures face an even tougher challenge now that Republicans control the House of Representatives.
"I continue to believe I'm right," he said, when asked why he relied on previously defeated proposals. "So we're going to try again."
Eminem's loss shows Grammys still behind on rap
LOS ANGELES – The Recording Academy week of Grammy festivities kicked off with the Grammy Museum's first exhibit on the history of hip-hop, exploring rap's triumphs over three decades while also presenting the academy's own history with the genre.
This year's awards, however, were the lowlights in the Grammys' complicated relationship with hip-hop. Eminem again found himself on the losing end in the album of the year category, trumped by rockers Arcade Fire for "The Suburbs" in an evening that saw him lose eight of his leading 10 possible Grammy bids.
It marked Eminem's third loss in the category over his 12-year career and underscored the Recording Academy's inability to fully embrace a type of music it only started to recognize in 1989, at least a decade after its birth in the Bronx.
Despite groundbreaking hip-hop albums that have changed music's landscape — from Dr. Dre's "Nothin' But a G Thang" to Jay-Z's "The Blueprint" to Eminem's "The Marshall Mathers LP" to Kanye West's masterpieces — a rap act has only won the coveted album of the year trophy twice.
The first award went to Lauryn Hill in 1999 for "The Miseducation of Lauryn Hill," which featured the fierce Fugees rapper mostly singing. The second was in 2003 for OutKast's double album "Spearkerboxxx/The Love Below," which also featured singing, including the rock-tinged retro hit "Hey Ya."
While rap has enjoyed a major role in the Grammys broadcast over the last decade, it wasn't always so: It took a few years after the Grammys established a category for rap artists to be included in the television ceremony, leading some prominent rappers to boycott the show. And the Grammys were initially derided for their early honorees, including Vanilla Ice.
Now, though, rappers are taken more seriously by the Grammys and even best new artist nominee Drake raps about hopefully one day holding a trophy.
Eminem has 13 Grammys, but all have been in the rap categories. Jay-Z has 10; except for one award, all his wins were in the rap field (he won best rhythm and blues song with wife Beyonce for "Crazy in Love"). Kanye West has 14 trophies — four less than Rock and Roll Hall of Fame honoree Aretha Franklin — yet, he has never won outside of rap.
A rap song has never won for record or song of the year. This year, it seemed like that might change: Eminem's "Love the Way You Lie," featuring Rihanna, was up in both categories, while Jay-Z's anthem with Alicia Keys, "Empire State of Mind," and B.o.B's "Nothin' on You" featuring Bruno Mars, were both up for record of the year.
Instead of picking one of those hits, the Grammys — voted on by artists, executives, technical professionals and other industry insiders — instead went with "Need You Now," the mellow ballad from country's crossover trio, Lady Antebellum. The Academy also shunned "(Expletive) You" by Cee Lo Green, a retro groove sung by the former Goodie Mobb member.
A rare triumph for hip-hop outside the rap categories came in 2001, when Dr. Dre walked away with producer of the year. But that was also the year that the album he produced — Eminem's groundbreaking "The Marshall Mathers LP" — lost to Steely Dan in an upset that may only rival Jethro Tull's much-derided win in the hard rock/heavy metal category.
Earlier this month, in an interview with The Associated Press, Grammy CEO and President Neil Portnow said the Grammy Museum's "Hip-Hop: A Cultural Odyssey" exhibit, titled after the new book by the same name, was an opportunity to see how much the genre has grown since it's inception.
"Hip-hop really has a milestone this year, in the sense that it's 30 years now that hip-hop has emerged and ultimately become a fully integrated and integral part of not only American culture but culture worldwide," he noted.
Grammy integration is still a work in progress.
This year's awards, however, were the lowlights in the Grammys' complicated relationship with hip-hop. Eminem again found himself on the losing end in the album of the year category, trumped by rockers Arcade Fire for "The Suburbs" in an evening that saw him lose eight of his leading 10 possible Grammy bids.
It marked Eminem's third loss in the category over his 12-year career and underscored the Recording Academy's inability to fully embrace a type of music it only started to recognize in 1989, at least a decade after its birth in the Bronx.
Despite groundbreaking hip-hop albums that have changed music's landscape — from Dr. Dre's "Nothin' But a G Thang" to Jay-Z's "The Blueprint" to Eminem's "The Marshall Mathers LP" to Kanye West's masterpieces — a rap act has only won the coveted album of the year trophy twice.
The first award went to Lauryn Hill in 1999 for "The Miseducation of Lauryn Hill," which featured the fierce Fugees rapper mostly singing. The second was in 2003 for OutKast's double album "Spearkerboxxx/The Love Below," which also featured singing, including the rock-tinged retro hit "Hey Ya."
While rap has enjoyed a major role in the Grammys broadcast over the last decade, it wasn't always so: It took a few years after the Grammys established a category for rap artists to be included in the television ceremony, leading some prominent rappers to boycott the show. And the Grammys were initially derided for their early honorees, including Vanilla Ice.
Now, though, rappers are taken more seriously by the Grammys and even best new artist nominee Drake raps about hopefully one day holding a trophy.
Eminem has 13 Grammys, but all have been in the rap categories. Jay-Z has 10; except for one award, all his wins were in the rap field (he won best rhythm and blues song with wife Beyonce for "Crazy in Love"). Kanye West has 14 trophies — four less than Rock and Roll Hall of Fame honoree Aretha Franklin — yet, he has never won outside of rap.
A rap song has never won for record or song of the year. This year, it seemed like that might change: Eminem's "Love the Way You Lie," featuring Rihanna, was up in both categories, while Jay-Z's anthem with Alicia Keys, "Empire State of Mind," and B.o.B's "Nothin' on You" featuring Bruno Mars, were both up for record of the year.
Instead of picking one of those hits, the Grammys — voted on by artists, executives, technical professionals and other industry insiders — instead went with "Need You Now," the mellow ballad from country's crossover trio, Lady Antebellum. The Academy also shunned "(Expletive) You" by Cee Lo Green, a retro groove sung by the former Goodie Mobb member.
A rare triumph for hip-hop outside the rap categories came in 2001, when Dr. Dre walked away with producer of the year. But that was also the year that the album he produced — Eminem's groundbreaking "The Marshall Mathers LP" — lost to Steely Dan in an upset that may only rival Jethro Tull's much-derided win in the hard rock/heavy metal category.
Earlier this month, in an interview with The Associated Press, Grammy CEO and President Neil Portnow said the Grammy Museum's "Hip-Hop: A Cultural Odyssey" exhibit, titled after the new book by the same name, was an opportunity to see how much the genre has grown since it's inception.
"Hip-hop really has a milestone this year, in the sense that it's 30 years now that hip-hop has emerged and ultimately become a fully integrated and integral part of not only American culture but culture worldwide," he noted.
Grammy integration is still a work in progress.
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